Mindfulness for Writing

In a previous post I discussed writing poems as a mindfulness practice.  It appears that the benefits of writing and mindfulness practices are bi-directional – writing develops mindfulness and mindfulness practices (such as meditation) can facilitate writing.  This latter concept was a sub-theme of the recent Healing Through Writing Festival hosted by Janelle Hardy.

Mindfulness for writing

During the Healing Through Writing Festival, April Davila offered a pre-recorded session on ways to use mindfulness practices to make writing flow more easily.  April made the point that there are many obstacles that can impede us as a writer, including perfectionism, distractions, negative self-stories, imposter syndrome and fear about outcomes.  Even writers as famous and accomplished as Simone de Beauvoir were beset by self-doubts and fears of not being good enough.

April explained that writing becomes more difficult and more painful as you become more accomplished because your own expectations and those of others increase – it is harder to please yourself and others about the quality of your writing.  You can become a constant self-critic, finding fault with every aspect of your writing.  Simone, for example, started a new novel in 1933 but abandoned it because she thought “characters in her first novel lacked depth”.

After completing her Graduate Certificate in Writing in 2010, April found that writing her first novel was very difficult.  While undertaking a marketing job, she would get up at 5am to begin work on her novel – a practice she employed for years without achieving her desired outcomes.  Her short stories were being rejected and her novel was not progressing.   However, in 2016, everything changed for her with acceptance of her short stories and publication of her award-winning novel, 142 Ostriches, in 2020.

April explained in her session that what changed in terms of her writing approach was the integration of mindfulness into her writing routine.  She spoke of “habit stacking” – using existing habits as a lever to develop new habits.  Her existing daily habit began with coffee followed by journal writing and then writing her novel/short story.  By interposing a 10-minute meditation between journalling and beginning her creative writing, April found that she increased her focus, overcame writer’s block, became more creative in character development and more resilient in dealing with rejections by publishers.

April contends that “writing demands attention, clarity and emotional presence” – all of which are difficult to achieve in a world full of “noise”, but which are identified benefits of mindfulness meditation.  She offers a  “10-Minute Reset for Your Writing Brain” in her blog post, Mindfulness and the Writing Life: How Meditation Supports Creativity.   In another blog post, How Mindfulness Can Make Writing Easier, April advocates for starting small with mindfulness practices and applying the same small principle to writing sessions.

April offers a 6-weeks course, Write More, Suffer Less, covering topics such as mindfulness practices, finding focus, managing resistance and fear, and developing calm and equanimity,   The online classes incorporate writing exercises, guided meditation and brief lessons.  Writers are waiting expectantly for April’s new book, Sit. Write. Here: 6 Mindfulness Practices to Help You Write More and Suffer Less.

How does mindfulness help the writing process?

There are many benefits that accrue through regular mindfulness practices, especially through daily meditation.  Some of the benefits relevant to the writing process are discussed below:

  • Developing positive habits – Leo Babauta, a world leader in habit development, contends that “mindfulness is the key to habit change”.  This relates to whether we are developing a writing habit and/or other habits related to writing, e.g. reading, reflecting or making notes.  Sometimes this will involve overcoming bad habits which Leo found in his own life because of his addictions.  Leo maintains from his own experience that mindfulness can help to overcome obstacles that impede forming a new habit.  He is the author of The Habit Guide: Zen Habits’ Effective Habit Methods + Solutions and creator of the Zen Habits blog.  Like April, Leo argues for starting small both in terms of developing a mindfulness habit and creating any other habit change.
  • Cultivating flow – engaging in a mindful practice before writing creates the preconditions for achieving “flow”.   These include preparation, focus and attention.  Adopting a mindfulness practice, however brief, before commencing writing serves as a preparation ritual and facilitates what April describes as “dropping into a state of flow”.  Mindfulness develops both focus and attention – the other preconditions for ”being-in-the-zone”.  In his book, Focus: The Hidden Driver of Excellence, Daniel Goleman maintains (from his research) that mindfulness meditation can cultivate excellence through developing focus and concentration.  Janice Marturano argues that we can develop focus and clarity in our endeavours (such as writing) by undertaking a mindful pause through one of the many mindfulness practices available today.
  • Identifying blind spots – our blind spots can impact many facets of our life besides writing.  Blind spots can operate cognitively and/or behaviourally.  They can negatively impact our writing by making us blind to what is going on within us and outside of ourselves.  Mindfulness trainer Kelly Boys, author of The Blind Spot Effect: How to Stop Missing What’s Right in Front of You,  offers a meditative exercise to help us to identify our core blindspot
  • Developing self-awareness and emotional regulation – Daniel Goleman, co-author of Altered Traits: Science Reveals How Meditation Changes Your Mind, Brain and Body, describes emotional self-awareness as the capacity “to recognize our own emotional reactions” and considers it foundational to developing emotional intelligence.   Emotional intelligence, in turn, enables us to better manage our emotions and achieve what is often termed “emotional regulation” – the capacity to handle emotions such as resentment, envy, frustration, disappointment and anger.   In his book, Focus: The Hidden Driver of Excellence, Daniel contends that mindfulness meditation helps us to manage our emotions as well as our focus and attention.   

Reflection

I wrote the following poem after reflecting on what I have written in this post and drawing on my own experience of the impacts of mindfulness on my writing:

Mindfulness for Writing

A small start to a long journey:
exploring within and without,
a journey into the inner landscape,
knowing and understanding triggers,
identifying feelings and initating thoughts,
throwing light on blind spots,
making space for creative solutions,
opening to the needs of others,
seeing the world in a new light.

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Image by Thomas G. from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group, and the resources to support the blog.

Memoir-Writing for Healing

Janelle Hardy, writer and somatic healer, recently produced and hosted the Healing Through Writing Festival with multiple facilitators who themselves are writers and healers.   Janelle is the creator of the course, The Art of Personal Mythmaking: Write Your Memoir While Healing Yourself, which is designed as a self-directed approach to healing while writing the first draft of a memoir. 

The 13-module course includes writing prompts, somatic visualisations and other techniques, and a process for outlining your storytelling.   In developing the course, Janelle drew on her training and consulting experience in bodywork and somatic approaches to trauma healing.  Her techniques and tools enable course participants to gain “clarity, focus and structure” as they write to heal.

Janelle also offers a 9-module, self-directed course, Write Your Life Stories, Heal Your Past, which is also designed to help us heal from our difficult experiences while working on a memoir.  This self-paced memoir-writing course incorporates somatic healing techniques as well as guidance for choosing forms of storytelling, assistance in outlining a memoir, ways to overcome writer’s block and tips about the writing and editing process.  The course is designed to help us deal with our difficult life experiences through writing without becoming overwhelmed.

Writing prompts and the road to healing

Throughout her Festival presentation, Janelle offered several writing prompts designed to elicit recall and identify elements of our life story.   The prompts covered both challenging and rewarding experiences, bodily sensations and personal insight.  I found the prompts particularly fruitful for “loosening the cobwebs”. 

By way of illustration, Janelle shared her own story of chronic fatigue and her acute shyness. She would often experience a “frozen state”  and become “stuck”, with her creativity blocked. After a relationship breakup, she had to deal with her role of a single parent and, at the same time, cope with her negative self-stories.  She sought healing through multiple modalities including somatic experiencing, dance, writing and research and experience of different cultures.

Janelle highlighted the fact that we store and release stories in our bodies.  This is in line with the research and writing of Bessel Van Der Kolk who published the book, The Body Keeps the Score: Mind, Brain and Body in the Transformation of Trauma.  Janelle introduced a basic somatic exercise during her presentation that involved listening to sounds, touching, stretching and feeling bodily sensations.  She incorporates somatic practices in her courses because she firmly believes that we can reclaim ourselves through our “bodies, stories and desires”.   Janelle described dance as an “embodied language” and found that it helped to reduce her stiffness, tightness, stress and related feelings.

Janelle explained too that we understand the world through cultures.  To really appreciate this idea, she became an exchange student and undertook home stays in Japan, Russia and Canada.  Given the pervasive nature of cultural influences, a useful writing prompt could be, “What influence has your cultural upbringing had on your own life story and how you perceive yourself?” 

I recently gained an insight into the influence of cultural experiences on our self-stories and how we perceive ourselves by reading the novel Runaways, a memoir by Shelley Davidow and Shaimaa Khalil.  The joint memoir tells the story of their 20-year friendship across cultures after meeting at the University of Qatar where Shaimaa was one of Shelley’s students. 

Not only were they “strangers in a strange land”, but also they brought to their relationship and self-stories the influence of their different cultural upbringings – Shelley was an Ashkenazi Jew from South Africa (with its entrenched racial tensions) and Shaimaa was an Arab Muslim from Egypt (with its class tensions).  Their memoir shows the intertwining of different cultures on the stories they shared and how their story was influenced by their life in Qatar. 

Shelley and Shaimaa explain what shaped them, broke them and the ways they returned to “wholeness”.  At different times in their shared storytelling they communicated their individual experiences and reactions in the form of a reflective poem

Janelle offers a series of writing prompts which are available from her website by subscribing to her newsletter: 10 Memoir-Writing Prompts for Healing and Transformation.  Her blog, which contains interviews with creative writers, essays on writing and reviews of websites, is a potentially fertile ground for other prompts.

Creating a theme for a memoir

The process of writing to story prompts enables us to discern various themes, common threads, in our life story.  We can then choose a theme to shape our memoir – exploring which stories in our life serve the theme.  Janelle explained that the selected theme then becomes a “tool for discernment” – assisting us to decide what stories to include and what to exclude.   We can potentially use the discarded stories as the basis for another memoir. 

This process of choosing a theme reminds me of my process in writing my doctoral thesis – the data collected could have been the basis for several different theses but I had to decide what was my central “claim to knowledge” and what data I could include to warrant that claim.  This involved then deciding what elements supported the core thesis and should be included and what should be left out.  I created a folder to store the other ideas and concepts for perusing at a later date.  When I submitted my thesis, I revisited my folder and produced a number of articles including one on the art of thesis writing as a movement through the Seven Chakras, from the Base Chakra to the Crown Chakra – a reflection on my thesis writing journey.  The thesis also incorporated my reflections on my role as a change manager within the Taxation Office – a potential theme for a memoir.

Janelle noted that memoir writers often write more than one memoir as they have several themes running through their lives.  The Australian author Shelley Davidow, for example, wrote  4 memoirs – Runaways (2022), Shadow Sisters (2018), Fail Brilliantly (2017) and Whisperings in the Blood (2016).

Janelle explained that a memoir becomes a meaning-making force that enhances agency and autonomy.  She shared her story of heartbreak and challenge that left her feeling abandoned and hurt.  Through writing, social support and somatic healing she was able to reframe her story from that of victim to someone with skills, choice-points and the opportunity for further personal development through self-employment.  She rewrote her story by “piecing together somatic healing and memoir-writing as an act of service” that enables people to avoid the disempowerment of a victim mentality and experience agency through creating a new self-story in the form of a memoir.

In her podcast, Janelle talks to storytellers and memoir writers along with healers.  The transformative conversations cover not only memoir-writing but also healing, narrative therapy and embodiment.  Through the podcast, storytellers share how they have moved from victimhood to personal freedom and agency. 

Reflection

Janelle has used her blog as a source of “personal mythmaking” by reflecting on her own life experiences as she shared insights on topics related to writing and healing.  Her essay and audio on “How to Shift Resistance” is a good example. 

I have found that in writing this current blog, I have been able to share my personal reflections on the topics I was writing about.  In the process I have been sharing my life story.  In reviewing the 775 posts I have published to date, I have been able to identify several core themes that would serve as the focus of separate memoirs.  I have now chosen one focal theme and begun writing my first memoir using the Kindle Create program as my writing and formatting process.

As we grow in mindfulness through somatic practices, reflection, blogging and memoir-writing, we can increase our self-awareness and sense of agency and reframe our life stories.

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Image by Firmbee from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)      

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group and the resources to support the blog.