Month: January 2024

How to Develop Positive Beliefs About Aging

Previously, I discussed the pervasive impact of negative beliefs about aging and the life-enhancing benefits of positive age beliefs.   In those posts, I drew on the mind-opening research of Professor Becca Levy, author of Breaking the Age Code: How Your Beliefs About Aging Will determine How Long and How Well You Live.  In her book, Becca not only explores the potential negative or positive impacts of our beliefs about aging, she also  offers multiple ways to develop a positive mindset that will enable us to live longer and with a better quality of life.  She provides numerous examples of people in different fields who have achieved incredible things in their old age.  Becca stresses the need for each of us to be proactive in building positive beliefs about aging to counteract the influence of ageism which is with us from the time we hear our earliest fairy tales until we experience palliative care. 

The ABC approach to developing positive beliefs about aging

In her book, Becca introduces the ABC Method to liberate us from the socially-derived negative beliefs about aging and free our minds to realise the potential inherent in aging.  Her ABC method incorporates three core elements – awareness, blame and challenge:

A – Awareness

Becca suggests that developing positive age beliefs begins with ourselves, increasing our awareness of our own thoughts and the way this impacts our words and actions.  We can increasingly become conscious of how we speak to people in different age groups – how we positively recognise “age diversity” (rather  than perpetuating “age blindness”).  She recalls that on one occasion, she found herself talking in a childlike manner to older people (“elderspeak”) and immediately pulled herself up and changed the way she spoke to these people.  Her newly  adopted adult-to-adult communication was respectful of the wisdom and experience of the people she was addressing. This is an example of reflection-in-action, a skill we can develop by practising reflection on our actions as a habitual approach. 

Our awareness can develop by building a “portfolio of positive images of aging”.  We can do this by reading newspaper reports and articles about people who have excelled in various fields of endeavour.  Another rich source of positive age images is memoirs written by people who describe their accomplishments in old age despite early childhood setbacks, including traumatic experiences.  An incredible exemplar of this approach to developing positive beliefs is Maya Angelou.  She not only broke new ground in writing memoirs but wrote her seventh memoir, Mom and Me and Mom, in her eighties.  Her accomplishments in many fields such as  poetry, writing, acting, film, singing and activism are memorialised in a website in her name.  Becca cautions us, though, to avoid trying to model ourselves on a single, exceptional older person – she argues that a more attainable goal is to strengthen qualities in ourselves that “older role models” exhibit (such as Maya’s work ethic).

We only have to look around us for positive models of aging amongst our friends, relatives, colleagues, our medical carers and other professionals.  This involves developing relationships with, and paying attention to, people who have aged and yet who continue to contribute positively to their career arena, the local community or society generally.  We can also seek the company of elders.  Nadine Cohen, author of the exquisite, debut novel, Everyone and Everything, actively seeks people of her mother’s and grandparents’ age and finds that she is “usually richer emotionally” because of their counsel and wisdom.  

B – Blame

Becca argues that we should put the blame where it truly belongs – not our biology but the ageism that surrounds us in every facet of our life.  This involves consciously developing awareness of our social environment in our everyday life.  It means being able to identify “negative age stereotypes” perpetuated in education, the arts, medical professions, and in daily conversations with friends, colleagues and family members.

As we develop this external awareness, we can begin to identify the “upstream causes” impacting the health and wellness of the aged. Becca maintains that “age beliefs are an upstream predictor of health and well-being”.  She contends that if we actively develop positive age beliefs we can change our health habits.  This approach is in line with the research that shows that to create new behaviours, we need to challenge the assumptions that underlie old behaviours – it is not enough to practise new behaviours if we want sustainable change.

C- Challenge

Becca recommends challenging ageism in whatever form it takes.  She points out the example of antiageism activist, Ashton Applewhite, author of This Chair Rocks: A Manifesto Against Ageism, and the blog Yo, Is This Ageist?   Ashton is actively and publicly challenging the hidden negative beliefs as they are reflected in newspaper articles, headlines, advertisements, and elsewhere and educating readers by responding to their questions about ageism.  She also has a YouTube channel incorporating her Talk at Google and other presentations addressing ageism.   In her Ted Talk, Let’s End Ageism, she points out that ageism is “a prejudice that pits us against our future selves – and each other”.

While people like Ashton and celebrities such as Madonna and Robert De Niro are speaking out publicly against ageism, Becca contends that we can help to overcome ageism in society if we “call it out” when we encounter any form of ageist remark in the relationship circles in which we move,  Becca recounts her discussion over coffee with Irene Trenholme who at 99 years of age ran the Secondhand Prose bookstore which donated all it profits to the local St. Johnsbury library.  Irene proved to be an exemplar for challenging ageism.  Whenever she encountered an ageist remark or action, she would firmly indicate that this was inappropriate, including challenging her doctor who spoke too loudly to her (assuming that, because of her age, she was “hard of hearing”).

Becca challenges many myths that surround aging and encourages us to take up the task of questioning firmly-held beliefs that have no scientific foundation.  She provides an Appendix in her book which she describes as “ammunition to debunk negative age stereotypes”.  She lists common negative age stereotypes and offers facts (proven by research) that can be used to debunk these stereotypes, including “cognition inevitably declines in old age” and “older persons are technologically challenged”.  In relation to the latter myth, Becca points out that Mildred Dresselhaus innovated the field of nanotechnology in her seventies.

Underlying the assumption that older people are technologically challenged is a foundational ageist myth that I call the “blank slate myth”.   People often assume that those who are older lack any related knowledge, skill or experience in a particular area, e.g. technology.  They forget that the technology they enjoy today was pioneered and developed commercially (long before some were born) by people who are now in their later years.  I am now 77 years of age (2024), but I have a long history of involvement in the development and application of technology in education and the workplace in the 1970’s, 1980’s, 1990’s and early 2000’s:

  • National Project Team – the design and implementation of the first online, national, accounting and management information system in the Australian Taxation Office (1973 -1977);
  • National Project Team – the introduction of word processing and personal computers in the Australian Taxation Office;
  • Role of Director, Computer Operations, Australian Taxation Office, Queensland and the Northern Territory;
  • Sensitive National projects associated with physical computer security and deterrence and detection of computer fraud;
  • Role of National Change Manager for the implementation of online learning and teaching in the Technical and Further Education Institutes across Australia (2000-2004);
  • Role of a Leader in Squidoo – a social media platform developed by Seth Godin (2007-2014);
  • Creator of a 6-month, online Social Media Marketing Course – 24 weekly PDF’s (2010);
  • Creator of e-books on internet marketing, social media marketing and Squidoo marketing strategies (2009-2012);
  • Creator of blogs on affiliate marketing (2005-2012) and small business marketing (2011-2012);
  • Co-Creator with colleagues in Germany and America of the article-based, social media platform, Wizzley.com (2011);
  • Sole author of my current Grow Mindfulness blog (2016 – present; 745 posts).

I spend very little time on social media platforms these days, not because I’m “technologically challenged” but because I have other priorities.  My priorities at the moment are to write my mindfulness blog (1,000 word post per week); co-author a book on “managing people”; and write a memoir.

The “blank slate myth” not only applies to technology but also many other areas of endeavour.  I found that it applies even in social activities.  I still play social tennis in my late seventies and I am often confronted with the manifestation of this myth in our social tennis games.  For example, I recently played with a younger partner who shouted out to me not to hit a shot that was clearly going out (by at least 2 metres), assuming that, through lack of experience (or loss of memory/faculties), I had not been able to judge that the ball would be out.  Having played more than 10,000 sets of tennis (including competitive tennis at an A-Grade level) over more than 60 years, I have a fairly advanced awareness of what shots are going to go out – it’s embedded in my body memory.  I can, for instance, when lobbed by an opposition tennis player, chase down the tennis ball and hit it back over my head and land it in the court (the secret is to face parallel to the back fence of the court so your body knows where it is in relation to the court outline).   To me, the “blank slate myth” defies logic and denies the richness of skills, intuition, insight and reflexes developed over many years.

Reflection

In thinking about the impact of negative and positive age beliefs, I became very conscious that, despite social conditioning, what we believe about aging is up to us – and our beliefs determine our actions. I incorporated this reflection in the following poem that I wrote recently;

The Choices You Make About Aging

If you are positive, you open up your potential –

life’s joys and pleasures are yours to gain.

If you look, you will see what is possible –

aging models of achievement are everywhere.

If you challenge the myths, your mind is freed,

you can pursue your goals without constraint.

If you remember what you have achieved

you can draw on your sense of agency.

If you exercise your mind and body

you can restore your acuity and strength.

As you grow in mindfulness

through reading, research and reflection,

you can become more self-aware

and free of stereotypes, assumptions and insipidness.

What you believe about aging

influences the choices you make.

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Image by GreenCardShow from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

The Benefits of Positive Beliefs About Aging

In a previous post, I discussed the pervasive impact of negative beliefs about aging.  Highlighted in that discussion is the research evidence that negative age beliefs can impact every aspect of our aging process and our quality of life.  In that discussion, I drew on the work of Dr. Becca Levy, a pioneer in the area of successful aging and a world-renowned researcher and Yale Professor.  In her book, Breaking the Age Code: How Your Beliefs About Aging Will Determine How Long and Well You Live, she contends that it is critical that we address ageism in our society both as individuals and as a collective.  

Becca has a section in the book where she identifies the widespread influence of ageism and calls for “an end to structural ageism” in education, Governmental systems, medicine, mental health, advertising and media, science and the arts.  Ageism prevents people from effectively adapting to the aging process, from taking proactive action to maintain their quality of life, from achieving their potential both mentally and physically, and from realising the benefits that can accrue with age.

The benefits of positive beliefs about aging

In her book, Becca draws on her own research and that of researchers worldwide to demonstrate the numerous benefits of positive age beliefs and illustrates these benefits with stories of outstanding achievements by numerous people in multiple fields of endeavour.  Ageism is based on the assumption that all people who are old experience decline in mental and physical capacity at the same rate and that this decline is inevitable.  Becca’s research and stories of individual achievements demonstrate that each of us can arrest decline, or at least reduce the rate of decline, in our capabilities as we age.  Our beliefs about aging are a key determinant of the choices we make and how long and well we live.

In providing research-based claims about the benefits of positive age beliefs, Becca identifies a number of findings that challenge prevailing myths about the aging process.  Her research demonstrates the following benefits of this positivity:

  • Pattern recognition improves with age so much so that neuroscientist, Daniel Levitin, suggests that radiologists past 60-years old should be preferred to younger people for reading and interpreting X-Rays.  Daniel is the author of the book, Successful Aging: A Neuroscientist Explores the Power and Potential of Our Lives. 
  • Indigenous knowledge and memories held by elders in Indigenous communities that have been passed down in communities around the world to ensure the health and continuity of these communities such as in the Indigenous Australian culture.  This aspect of Indigenous aging was documented by anthropologist Margaret Mead in her book, Culture and Commitment: A Study of the Generation Gap.
  • Functional health is enhanced by positive aging beliefs.  Becca demonstrates that her research and that of her colleagues disprove the assumption of the “stereotype of debility and decline” as the natural outcome of the aging process.  She draws on the example of Sister Madonna Buder, who at the age of 52 undertook her first triathlon with borrowed running shoes – now, at over 90 years old, she continues to compete and has completed in excess of 350 triathlons.  Sister Madonna’s view of aging is that it represents “wisdom and grace” and “opportunity”.
  • Irreplaceable knowledge and understanding can accrue to anyone in a specialised field with experience developed as they age.  Becca illustrates this by discussing the experience of a 75-year-old paediatrician called Jonas who had retired from clinical practice “when he was most skilled”.   A young colleague asked him for his opinion on what was ailing a baby because he could not work it out.  Jonas figured it out “right away”.  His young colleague had an instant insight and asked, “Teach me Doc, how’d you do that?”  Jonas now teaches “medical diagnosis” at a university and participates in group diagnoses of patients in a teaching hospital.  Jonas’s career transition highlights the opportunity for older people to make a significant contribution to society even after retirement – all that it requires is a positive view of aging and a willingness to make adaptions in their career role. Jonas has also acquired new interests and hobbies such as cultivating rare orchards, French cooking, close-up photography and amateur aviation. 
  • Mental health growth – during a placement at a psychiatric hospital, Becca found (contrary to her expectations) that more younger, adult patients suffered from mental illness than older patients and that the latter “can be successfully treated”.  Her own research, confirmed by others around the world, also showed that age beliefs heavily impact the nature and quantity of stressors experienced psychosomatically.  She found that positive age beliefs helped to mitigate the impact of stressors (even in PTSD cases), while negative age beliefs acted as a “barrier to mental health”.
  • Longevity – in a significant research study, Becca found that participants who held positive age beliefs “lived an average of 7.5 years longer” than those who held negative age beliefs. ` Other research has demonstrated that non-biological factors such as age beliefs (and social/cultural environments) “determine as much as 75% of our longevity”.
  • Creativity – contrary to the prevailing stereotype, “creativity often continues and even increases in later life”.  Throughout the book, Becca mentions people who achieved “their most creative work at an older age”, e.g., Matisse, Hitchcock, Einstein, Picasso, Bernstein, Lerman and Dickens.  She also noted that 65 is the average age of a Nobel Prize winner.  Becca also reported the comment of actress Doris Roberts that actresses/actors “get better and better in their craft as they get older”.  Michael Caine CBE is just one example.  Starring in 160 films over 8 decades, he produced an outstanding performance at age 90 in his last film before retirement, The Great Escaper.

In the above discussion of the benefits of positive beliefs about aging, I have only “scratched the surface” of Becca’s research and findings.  However, it is very clear that positive age beliefs can impact us in multiple, beneficial ways – opening up opportunity and the realisation of our true potential.

Reflection

I can relate to Jonas’s experience (recounted above) when applied to a recreational context rather than a professional one.  I have continued to play social tennis in my late seventies and recently I played a half-volley, drop shot that left my much younger partner “gobsmacked”.  He responded, “Wow, how did you do that? Can you teach me to do that shot?”  At the time, I just shrugged but felt like saying:

I can’t teach you as I have never learnt to do that shot – it was purely instinctive, as I was caught “in no man’s land”.  When you have achieved in tennis what I have done – played 10,000 sets of tennis over more than 60 years, practised Tai Chi for years (for balance and coordination), and spent numerous hours doing tennis drills – you, too, will be able to do instinctive tennis shots that surprise others (as well as yourself).

Becca’s comment that creativity can increase in later years also resonates strongly with me.  I started this blog in 2016 (at the age of 70) and have now written more than 740 posts on this blog alone (my fifth blog).  I have reduced my output from three posts per week to one post to enable space and time to conduct manager development workshops (hybrid mode) and to co-author a book with my colleague of 16 years (as our legacy to younger managers and organisational consultants).  I am finding that connections and patterns come to me more rapidly and profusely  as I read and write and I now write an average of 1,000 words per post (compared to the 300 words per post, I started with in 2016).

In her book, Becca recounts the comments of 69 year old creative dancer Liz Lerman who observed that as we grow old we “don’t need  to make major life change to activate creativity’.  In her view, “expanding our connections to people” can create life changes for us and spark renewed creativity.  I have certainly found this with my active participation in the Creative Meetups hosted by the Health Story Collaborative.  

Additionally, I am finding (in terms of creativity) that, as I age and reflect, I am writing more poems that are longer and more complex in structure and scope.  In three days, inspired by Kim Rosen’s book Saved by a Poem,  I have written three poems – previously I wrote four short poems over five years.   One of my recent poems relates to the theme of this blog post and its predecessor about negative age beliefs:

Beliefs About Aging

To be positive, is to see opportunities

To be negative, is to deny potentiality.

Positive age beliefs open new horizons

Negative beliefs hold us captive and inert.

Positivity is openness to reality

Negativity is a closed mindset.

In being positive

Our full potential is possible.

With a grateful heart

I live my positive beliefs.

Reflecting and writing poetry enables us to grow in mindfulness. We come to realise that negative beliefs hold us back.  Through mindfulness practices, we can grow in self-awareness, concentration, creativity and resourcefulness – we can become increasingly aware of what is around us each day and what it is possible to achieve.

Photo Credit: The photo incorporated in this post was by Steve Buissinne, aged 74, from South Africa.  He joined Pixabay in 2014 and has had 556 photos accepted, 148 of which have been singled out as “Editor’s Choice” – a sign of excellence.  His photos have been viewed 32.83 million times, resulting in 19.39 million downloads. Steve’s comment on his Pixabay site demonstrates his mindful awareness of the beauty that surrounds us:

Everything has beauty – photography teaches you to see it

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Image by Steve Buissinne from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

The Transformative Elements of a Poem

In a previous post I discussed the transformative power of poetry.  In that post, I drew on Kim Rosen’s book, Saved by a Poem: The Transformative Power of Words, to illustrate personal transformations that have occurred through poetry, including that of the author and Maya Angelou.  Poetry has a special power to transcend our analytical mind and capture our deeper inner landscape.  It has a unique capacity to move people out of darkness into light, out of depression into contentment, out of loneliness into connection.  In a section of her book, The Anatomy of A Poem (Chapter 5), Kim explains the elements of a poem that generate this transformative power.  She links her discussion of the poetic elements to their psychophysical impact on an individual, while acknowledging that each person reacts to a poem differently and may change their reaction over time – rejection can turn into admiration.    

The anatomy of a poem

In discussing the elements of a poem that may contribute to personal transformation, Kim identifies four aspects that can influence our reaction – (1) breath, (2) drumbeat, (3) song, and (4) image.  These are discussed below to offer a sense of what they may look like and feel like:

  • Breath – our breathing can be impacted by the pattern and pace developed in a poem through rhythm, line length and phrasing.  Rhythm, for example, can create calmness or a sense of urgency.  Line length can be slow and ponderous or fast and staccato-like.  Phrasing can be regular or irregular with disruption to an established pattern by short statements or punctuation.  Surprise and challenge can change breathing patterns because they can pull us up from our habituated behaviours.
  • Drumbeat – the sense of a drum beating can flow from accentuated syllables followed by softer syllables or broken with pauses.  The rhythm of a poem can create a sound experience similar to that of a drumbeat.
  • Song – a sense of singing can be generated through repetition, rhyme, or rhythm or alliteration as in the repeated “r’s” in this sentence. Words themselves can conjure sounds and their own sound can be a reminder of a song or singing.  Resonance in a poem has a unique quality that can reverberate in the listener’s mind and body.  Kim also maintains that “rhythm creates entrainment” and entrainment, in turn, “creates passion and movement” – the whole person synchronizes with the poem’s rhythm.
  • Image – can be created by word-pictures, metaphor, exploring ambiguity or opposites, and challenging linearity or expectations.  Kim argues that “the body feels the images” – images that create sensations arising from both left-brain and right-brain activation.

While each component of an element (such as repetition, rhyme, or metaphor) can create an effect, it’s the unique combination of elements in a poem that can generate a transformational impact.  In a New Dimensions Radio podcast, Kim discusses her concept of the “anatomy of a poem” and describes poetry, in all its many forms, as medicine for the soul.

Reflection: A poem about tennis

My poem below was inspired by Kim’s discussion of the “anatomy of a poem”.  In writing the poem I was conscious of the transformative elements that Kim describes.  I did not actively try to incorporate all the elements but became aware as I wrote how Kim’s discussion and illustrations were influencing the shape of my poem, For the Love of Tennis:

For the Love of Tennis

I’m grateful to play tennis again

The slice, the serve, the stroke, the sound.

A different goal

Not to win every point

To play with appreciation

And create surprise.

I’m grateful I can run, bend, stretch and strain

So much I’ve taken for granted.

No longer annoyed at my mistakes

Gratitude that I have the chance to make them.

There are many components of the elements that Kim describes incorporated in my poem.  What immediately comes to mind is the alliteration achieved through the number of “s” letters/sounds present – slice, serve, stroke, sound, surprise, stretch, strain.  The word “sound” has its own resonance and each type of tennis stroke (e.g. slice or serve) conjures up a different sound.  The “strokes” together with “run, bend, stretch and strain” evoke images and conjure up a sense of movement.

There are components of challenge as well as surprise in the poem.  There are challenges to expectations (to play to win; being grateful for the chance to make mistakes) along with “surprise” that is reinforced by the word itself.  The goal of surprise arose from my need to change my own expectations of what I am able to achieve on a tennis court in my late 70’s.  To this day I am able to create shots that surprise my partners and/or opponents (e.g., a backhand, half-volley drop shot; a  topspin lob from corner to corner; an unplayable backhand slice; or a half-volley, backhand lob) – so this element of surprise is an achievable goal for me (since I have lost a lot of my strength, speed of reflexes and movement around the court).   Surprise, too, is present in the sudden change in line length and equally sudden return to a longer line – eliciting the sense of a “drumbeat”.

Permeating the poem is a strong sense of gratitude – that I am able to play tennis again (after a period of rehabilitation); that I have access to a tennis court, social tennis partners and the equipment and funds to play; that I have been coached, had practice partners and played numerous games of tennis with different players; that I can move (run, bend, stretch and strain); that I can play many different tennis shots and associated spins; that I have played tennis on different surfaces and on overseas courts in France, Port Moresby, England and New Zealand.  Finally, there is the personal challenge not to take these things for granted.

Tennis to me, like writing poetry, is one of the many ways to grow in mindfulness.  Through tennis, I develop my powers of concentration and my gratitude, creativity, resilience and resourcefulness. I also become more able to “be-in-the-moment”.

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Image by Carola68 Die Welt ist bunt…… from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

The Transformative Power of Poetry

I have just been reading Kim Rosen’s brilliant book, Saved by a Poem: The Transformative Power of Words.  I found it enlightening, stimulating and inspirational – opening up new areas for personal exploration.  Kim is a world-renowned poet, activist, an award-winning “spoken-word artist, and a teacher of self-inquiry.  She brings a rare openness, insight and compassion to her writing and numerous individual and community engagements.  Kim collaborated with cellist Jami Seber to create Feast of Losses, a unique merging of music and poetry.  The collaborative endeavour reflects the ambiguity of everyday life in today’s world – life and death, grief and joy, loss and gratitude.

Saved by a poem

In her book, Kim describes situations in her own life and that of significant other people where a poem has proved to be a source of insight, healing, support, and rescue from depression and/or suicide ideation.  At the age of 15, Kim experienced an awakening from what she describes as her insular life characterised by “distance, intelligence, and control”.  The poem, “somewhere I have never travelled, gladly beyond” by E.E.Cummings, broke through her protective shell – a remarkable unfolding occurred through the “waves of sensation, emotion, and imagery” she experienced when reading the poem aloud.

Kim explains that the healing from poetry occurred for her not from writing poems but from “taking a poem deeply” into her heart and life and speaking it aloud.  She contends that the language of poetry is not a purely intellectual exercise but involves a holistic approach – engaging the whole person, their thoughts, emotions, spirit and body.  Poetry enables personal integration, reinforcing the mind-body connection, exposing our inner reality and its embodiment in our physical sensations.  It creates a sense of being vulnerable before a deeply profound truth that is difficult to deny.

Developing a relationship with a poem

Kim explains that sometimes we can seek out a poem for strength and support in a time of crisis – at other times a poem can seek us out.  We may initially resist a poem’s message but eventually if we persist, especially in reading it aloud, it will penetrate our defences.  She suggests that to take a poem into our life requires allowing the words to ignite our true essence – achieving an alignment of our “thoughts, words, and deeds with our heart’s wisdom and longing”.  

Kim tells the story of when she lost all her investments and savings in a scam that left her unable to pay rent.  A friend offered her somewhere to stay and together they continuously read aloud the poem Kindness, created by Naomi Shihab Nye.  The poem seemed to find each of them independently before they shared lodging for a while.  Kim recounts how, after memorising the poem and repeatedly saying it aloud, she came to understand that the kindness referred to in the poem is not about kindness to others but the kindness others offer you when you have lost everything.  The opening words of the poem resonated deeply with her – Before you know what kindness is, you must lose things.  Kim experienced an incredible outpouring of kindness from others when she lost everything – offers of accommodation or financial support and many gifts (even a year’s supply of lattes).

Kim suggests that choosing to learn a poem by heart can be influenced by curiosity, desire for pleasure, love or a personal need arising from a crisis.    She also talks of the challenge from what she calls “the yoga of poetry”.  We might be attracted initially to a poem but its inherent challenge, intellectually and/or emotionally, may be off-putting.  The focal poem requires a degree of stretch, moving beyond our comfort zone or opening ourselves to new insights about ourself and/or others.  This yoga-like stretch can be achieved progressively by persisting with the poem, reading it aloud, committing it to memory and, where possible, sharing it with others.

Opening up to poetry

Kim describes the habit she developed of recording poems in a diary, both those she has written and poems by others.  She describes the resultant record as an Autobiography in Poems. She explains how each group of poems addressed a need at a particular point in her life, e.g. to challenge her “idealized image” of herself; facing chaotic feelings; and finding herself and her life purpose. 

Kim argues that we can access the transformative power of poetry by writing or reading poetry, joining a poetry writing group, reading poems aloud by ourself or in public presentations, reading poems with a group and/or recording poems that appeal to us in a diary (or on digital voice media).  She encourages us to explore poetry as a way of opening ourselves to the richness of our inner life, as well as our inhibitions.

Reflection

In her book, Kim describes how poetry saved Maya Angelou, after she had been raped by her mother’s boyfriend (at the age of seven) who was jailed and subsequently murdered.  Maya, feeling guilty for exposing her attacker and contributing to his death, became mute for six years.  During her silence, she memorised poems that appealed to her, including 60 Shakespearean sonnets.  Her school teacher (when Maya was 12 years of age) was aware that Maya was mute and loved poetry, so she challenged her by saying, “in order to love poetry, you must speak it”.  This led to Maya reciting a sonnet from Shakespeare – her first spoken words in six years. Maya went on to become a  world-famous author, poet and activist.  She also pioneered a unique autobiographical style in her book, I Know Why the Caged Bird Sings.

Kim observes that poems “seemed to know me better than I knew myself” and often “reflected my deepest feelings more intimately than words alone can touch” – because what touches us through a poem Is “between and beyond” the actual words.  She maintains that poems can give voice to supressed feelings and longings that may be hidden from ourselves.  I found this personally when I wrote a poem called The Inflammatory Thread in My life after hearing William Stafford’s poem, The Way It Is, provided as a stimulus piece for our writer’s meetup group with the Health Story Collaborative.  Until I wrote the poem, I had not realised the extent of my frustration with my allergies and food sensitivities that were impacting what I could eat and drink and negatively affecting my relationships.   

Writing, reading, speaking or sharing poetry can help us to grow in mindfulness because these activities can develop deep insight, expose our inner landscape and strengthen our resolve and courage, along with inspiring us to emulate the compassionate action of others.

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Image by cromaconceptovisual from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.