Playing Canasta: An Analogy for Mindfulness

I was recently playing Canasta with my wife during a trip to Stradbroke Island to attend the Stradbroke Chamber Music Festival (SCMF).  It occurred to me that playing Canasta was an analogy for mindfulness – there were significant aspects of playing Canasta well that reminded me of being mindful.  I don’t want to trivialise mindfulness or overextend the analogy, but there are times when the ordinary seems to assume extraordinary dimensions.  Rachel Joyce captures this phenomenon in her book, The Unlikely Pilgrimage of Harold Fry – where a walking trip from the south of England to the north becomes a journey into Harold’s “inner landscape”.  It seems to me that to play Canasta well you have to pay attention in the moment and, above all, “play the best game you can with the cards you’re dealt”.

Paying Attention

Paying attention on purpose is fundamental to the development of mindfulness.  It builds concentration, self-awareness, awareness of the other and creative solutions to challenging problems.  In Canasta, you need to pay attention to what is happening in the game, notice the micro-behaviour of the other player(s), observe the choices they make about “taking up” or “putting down”, notice what cards they ignore and what they table.  You also have to be aware of what is going on in your own hand, test out your own assumptions and hypotheses about the other player’s strategy, correct any mistakes you make and “go with the flow” of the game.

Play with the cards you are dealt

According to the Mindful Awareness Research Center (MARC), acceptance is integral to mindfulness – “accepting what is”.  Diana Winston, mindfulness educator with MARC, reminds us that this acceptance entails self-acceptance, breaking the complaining cycle, overcoming disappointments, being in touch with our feelings and keeping things in perspective.

In Canasta, there is no point in complaining about the cards you have been dealt or wishing that your mix of cards were better (e.g., more wild cards and jokers or multiple cards of the same number/rank).  You have to play with the cards you’re dealt and develop strategies to make the most of those cards and the cards you are offered/acquire as the game progresses.  You have to continue to pay attention as the game unfolds because you will begin to see opportunities that were not available or obvious at the start of the game.  And so it is with mindful living.

Reflection

There are many things in life that can be enriched by being mindful – whether it is being in nature, playing tennis, driving your car, listening to music, developing inclusive leadership or just waiting for something to happen.  For example, “killing time” while waiting can become an opportunity to tune your awareness, playing tennis and making mistakes can develop your self-awareness, self-regulation and resilience when played mindfully (and accepting what is!).

As we grow in mindfulness, we can enrich every aspect of our life because mindfulness is a portable state – it is not just grounded in a meditative practice or stance. It shapes who you are and how you respond to life and its many challenges.  It impacts what you see and how you perceive it.  It helps you to develop deep listening in relationships.  Mindfulness can go with you wherever you go but it requires a concerted effort, a commitment to practice and activities that enable you to transition from meditation to living life fully and with purpose.

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Image by jacqueline macou from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group, and the resources to support the blog.

Trauma-Informed Mindfulness: Relationship Building through Music

Sam Himelstein has developed several basic principles and a series of guidelines to assist mindfulness teachers to sensitively work with people who are impacted by trauma. While these principles have been developed over more than a decade working with trauma-impacted teens, the principles and guidelines are also relevant to anyone working with adults who have experienced trauma. 

Relationship building through music

In his podcast interview with David Treleaven, Sam discussed a particular case that was a primary catalyst to the development of his principles and guidelines.  He provides a more detailed discussion of the case in his blog post, Trauma-Informed Mindfulness with Teenagers – 9 Guidelines.  The case involved a 17-year-old high school student, Jeanette, who had experienced a traumatic childhood with many categories of traumatic events in her life, including drug addiction of her father.  She had approached Sam, a registered psychologist, for help with her trauma-related issues.

During initial psychotherapy treatment, Sam was helping her to locate her estranged father so she could establish a connection with him.  However, before this reconnection happened, the young woman learned that her father had died from a drug overdose.  This intensified her trauma and when she presented at Sam’s clinic after the death of her father, she was unable to talk about her father, follow a line of discussion or formulate coherent sentences.  Sam described this in terms of “her brain down regulating”.

Sam’s first principle – “do no harm” – came into play as he realised that getting her to talk would take her outside her window of tolerance.  As he knew about her interest in music and her favourite genre, he intuitively realised that listening to music that she liked would enable her to establish some degree of equanimity, build trust and reinforce the relationship through a shared pleasant experience. 

As they listened to the music together, she slowly began to move her head in line with the beat and rhythm of the music.  Then, she began to talk.  Sam described the effect on Jeanette of listening to the music as regulating her central nervous system, bringing her back within the window of tolerance and enabling her to access her language ability so that she could express her emotions such as anger, grief and sadness.

Sam had realised that while Jeanette was positive about the utility of mindfulness in the context of therapy, “conventional talk therapy or mindfulness meditation wasn’t going to work”.  This music intervention was in line with what he described as practising an INCRA, an “inherently non-clinical relational activity” that is not a therapy technique in itself but effectively builds the relationship.  Sam discusses case studies where he has used INCRA in a clinical setting with teens in his forthcoming book, Trauma-Informed Mindfulness for Teens: A Guide for Mental Health Professionals.

Reflection

As we grow in mindfulness through meditation and reflection, we can better access our intuition when working with or training people who have suffered trauma.   Being present to the person needing help will enable us to let go of conventional, trained responses and be open to activities that are non-clinical in nature but develop the relationship – the foundation for all helping.  Trauma-informed mindfulness, then, involves not only sensitivity to trauma-impacted people but also the flexibility to depart from habituated responses or processes.  Mindfulness helps us to tap into our innate curiosity and creativity.

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Image by obBilder from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group and the resources to support the blog.