Kim Rosen – Grow Mindfulness

Forgiveness: Forgiving Others and Ourselves

Forgiveness is hard to do, whether we are trying to forgive others or ourself. It’s not a one-off event but is an evolving process which is why experts in the area suggest that we start off small – with a minor incident or hurt. Forgiveness engages our feelings as well as our mind and body. It is something that we have to work at consciously if we are to achieve our goal of “letting go”.

Forgiving others

Frank Ostaseski, author of The Five Invitations: Discover What Death Can Teach Us About Living Fully, suggests that one of the lessons from the dying is, “Don’t Wait to Forgive”. In his extensive hospice experience he found that too many people were consumed by anger and rage on their death bed because they were unable to forgive others. He argues that we should not wait until we are dying to forgive others and ourself. Frank maintains that there is a natural resistance to forgiveness because we have a need to maintain our self-image (of goodness/perfection) and find it difficult to acknowledge that we are carrying challenging emotions such as anger, resentment and regret. However, there is a real cost to ourselves and our relationships when we hold onto these emotions.

Danette May in her memoir, The Rise: An Unforgettable Journey of Self-Love, Forgiveness and Transformation, argues that we need to “cut the rope”, or as Frank puts it, “letting go”. These difficult emotions can hold us back, causing self-absorption and “emotional stunting”. There is a real challenge involved in acknowledging our part in an interaction (or multiple interactions) that was hurtful. We need to be able to see things from the other person’s perspective and understand what was driving their behaviour. Frank suggests that in the final analysis, we need to be able to honestly face up to “what we don’t like in ourselves”.

Fred Luskin contends that there are three elements of a grievance that contribute to our “maintaining the rage” and sustaining the hurt:

Preoccupation with the ”offence” and exaggerating its negative impact on us
Insisting that others are to blame for our negative/difficult feelings
Developing and perpetuating a “grievance story”.

Fred argues that the real costs of not letting go are extensive. Not only do we lose our personal power because we are “controlled by emotions”, but also we lose the ability to focus and achieve peace and wellness. If we are consumed by anger, hatred, resentment or envy we can’t see past our hurt and we use all our energy in sharing our story and maintaining our sense of hurt.

Forgiving ourselves

The starting point for self-forgiveness is acknowledging our part in the hurtful interaction. It is incredibly difficult to forgive ourselves for the hurt we cause to others – it can be a lifelong process. Part of the challenge is dealing with strong feelings of guilt and shame – feelings that go against the grain and undermine our sense of who we are. We can blind ourselves to our negative impact on others because it is too hurtful to ourselves to own up to our part in hurtful interactions.

Jack Kornfield in the Power of Awareness Course argues that there are three myths that underpin our reluctance to engage in self-forgiveness:

Self-forgiveness is a sign of weakness – the reality is that it takes a lot of strength and courage to face up to our hurtful words and actions
We can forgive ourselves through a “quick fix”, e.g., a short meditation or exercise
Forgiving ourselves is condoning our hurtful behaviour.

Elisha Goldstein cites Lily Tomlin when discussing forgiveness of others, Forgiveness means giving up all hope for a better past. This insight can as readily apply to self-forgiveness as to forgiving others. In self-forgiveness, we have to give up our “grievance story”, let go of wishing that we had behaved better and dismantle our defenses that prevent us from acknowledging our part in a hurtful interaction.

Mindfulness – a path to forgiveness

When we develop a mindful disposition by observing our inner landscape – our thoughts, emotions and bodily sensations – we can reduce our negative thoughts and increase our ability to forgive. Mindfulness can develop our “disposition to forgive” – it can unearth grievance stories, clarify our part in any interaction, help us to take the other person’s perspective, increase our awareness of negative emotions and related bodily sensations and cultivate compassion. Ultimately mindfulness can help us to develop self-awareness and emotional regulation so that we are not captive to our strong, challenging emotions and can live in the present rather than the hurtful past.

Forgiveness meditation

There are multiple forms of forgiveness meditation. Loving kindness meditation, for example, has been shown to cultivate compassion towards others as well as self-compassion. Sharon Salzberg, experienced mindfulness trainer, offers a three-part forgiveness meditation encompassing:

Seeking forgiveness from someone you have hurt or harmed
Offer forgiveness to those who have hurt or harmed you
Self-forgiveness for the times you have harmed yourself through being judgmental.

Sharon includes an affirmation related to the last point, For all the ways I have hurt or harmed myself, knowingly or unknowingly, I offer forgiveness. Other meditation trainers, such as Mitra Manesh, focus the self-forgiveness on the harm that we have caused to others, rather than to ourself. Mitra, in her forgiveness meditation podcast, places a lot of emphasis on becoming aware of our bodily sensations as we deal with the “heavy energies” involved in holding onto grudges, anger or rage. She also suggests a mantra for seeking forgiveness from others, For all the ways that I have caused you pain and suffering, I ask your forgiveness.

In reflecting on a number of forgiveness meditations, I identified four common principles underpinning the meditation process:

Stay grounded, relaxed and focused
Manage distractions through an anchor such as your breath or sounds
Start small with something that is manageable and recent (limited history or replaying)
Adopt a healing perspective – show loving kindness to others and yourself.

We can develop a mindful disposition in multiple ways , not just through meditation. As we grow in mindfulness we can more readily adopt the perspective of others and understand their hurt. We can own up to and name our own feelings, however negative or challenging. Over time, our disposition to forgive and our capacity to offer forgiveness to others and ourself will grow almost invisibly.

Reflection

Forgiving ourself can be a lifetime pursuit as I have found in trying to forgive myself for my part in my marriage breakup which occurred more than 40 years ago. This is something I am working towards. I find that forgiving others and forgiving ourself are interwoven activities – not discrete, independent steps.

I have also been reflecting on my long-standing anger towards my Father for his alcoholism and its major impact on my childhood and my family. I recently started crafting a poem called Paternal Forgiveness which I will publish soon in this blog. In the poem, I offer forgiveness to my father, seek to forgive myself for my harsh judgments and express my sorrow for the hurt that I had caused him when he was alive. In writing the poem, I have drawn inspiration from Kim Rosen’s book, Saved by a Poem: The Transformative Power of Words. In the book, Kim describes how poetry has helped people to deal with challenging situations, including the need to forgive others and themselves, and provides insight into the transformative elements of a poem.

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Image by Pete Linforth from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

The Benefits of Positive Beliefs About Aging

In a previous post, I discussed the pervasive impact of negative beliefs about aging. Highlighted in that discussion is the research evidence that negative age beliefs can impact every aspect of our aging process and our quality of life. In that discussion, I drew on the work of Dr. Becca Levy, a pioneer in the area of successful aging and a world-renowned researcher and Yale Professor. In her book, Breaking the Age Code: How Your Beliefs About Aging Will Determine How Long and Well You Live, she contends that it is critical that we address ageism in our society both as individuals and as a collective.

Becca has a section in the book where she identifies the widespread influence of ageism and calls for “an end to structural ageism” in education, Governmental systems, medicine, mental health, advertising and media, science and the arts. Ageism prevents people from effectively adapting to the aging process, from taking proactive action to maintain their quality of life, from achieving their potential both mentally and physically, and from realising the benefits that can accrue with age.

The benefits of positive beliefs about aging

In her book, Becca draws on her own research and that of researchers worldwide to demonstrate the numerous benefits of positive age beliefs and illustrates these benefits with stories of outstanding achievements by numerous people in multiple fields of endeavour. Ageism is based on the assumption that all people who are old experience decline in mental and physical capacity at the same rate and that this decline is inevitable. Becca’s research and stories of individual achievements demonstrate that each of us can arrest decline, or at least reduce the rate of decline, in our capabilities as we age. Our beliefs about aging are a key determinant of the choices we make and how long and well we live.

In providing research-based claims about the benefits of positive age beliefs, Becca identifies a number of findings that challenge prevailing myths about the aging process. Her research demonstrates the following benefits of this positivity:

Pattern recognition improves with age so much so that neuroscientist, Daniel Levitin, suggests that radiologists past 60-years old should be preferred to younger people for reading and interpreting X-Rays. Daniel is the author of the book, Successful Aging: A Neuroscientist Explores the Power and Potential of Our Lives.
Indigenous knowledge and memories held by elders in Indigenous communities that have been passed down in communities around the world to ensure the health and continuity of these communities such as in the Indigenous Australian culture. This aspect of Indigenous aging was documented by anthropologist Margaret Mead in her book, Culture and Commitment: A Study of the Generation Gap.
Functional health is enhanced by positive aging beliefs. Becca demonstrates that her research and that of her colleagues disprove the assumption of the “stereotype of debility and decline” as the natural outcome of the aging process. She draws on the example of Sister Madonna Buder, who at the age of 52 undertook her first triathlon with borrowed running shoes – now, at over 90 years old, she continues to compete and has completed in excess of 350 triathlons. Sister Madonna’s view of aging is that it represents “wisdom and grace” and “opportunity”.
Irreplaceable knowledge and understanding can accrue to anyone in a specialised field with experience developed as they age. Becca illustrates this by discussing the experience of a 75-year-old paediatrician called Jonas who had retired from clinical practice “when he was most skilled”. A young colleague asked him for his opinion on what was ailing a baby because he could not work it out. Jonas figured it out “right away”. His young colleague had an instant insight and asked, “Teach me Doc, how’d you do that?” Jonas now teaches “medical diagnosis” at a university and participates in group diagnoses of patients in a teaching hospital. Jonas’s career transition highlights the opportunity for older people to make a significant contribution to society even after retirement – all that it requires is a positive view of aging and a willingness to make adaptions in their career role. Jonas has also acquired new interests and hobbies such as cultivating rare orchards, French cooking, close-up photography and amateur aviation.
Mental health growth – during a placement at a psychiatric hospital, Becca found (contrary to her expectations) that more younger, adult patients suffered from mental illness than older patients and that the latter “can be successfully treated”. Her own research, confirmed by others around the world, also showed that age beliefs heavily impact the nature and quantity of stressors experienced psychosomatically. She found that positive age beliefs helped to mitigate the impact of stressors (even in PTSD cases), while negative age beliefs acted as a “barrier to mental health”.
Longevity – in a significant research study, Becca found that participants who held positive age beliefs “lived an average of 7.5 years longer” than those who held negative age beliefs. ` Other research has demonstrated that non-biological factors such as age beliefs (and social/cultural environments) “determine as much as 75% of our longevity”.
Creativity – contrary to the prevailing stereotype, “creativity often continues and even increases in later life”. Throughout the book, Becca mentions people who achieved “their most creative work at an older age”, e.g., Matisse, Hitchcock, Einstein, Picasso, Bernstein, Lerman and Dickens. She also noted that 65 is the average age of a Nobel Prize winner. Becca also reported the comment of actress Doris Roberts that actresses/actors “get better and better in their craft as they get older”. Michael Caine CBE is just one example. Starring in 160 films over 8 decades, he produced an outstanding performance at age 90 in his last film before retirement, The Great Escaper.

In the above discussion of the benefits of positive beliefs about aging, I have only “scratched the surface” of Becca’s research and findings. However, it is very clear that positive age beliefs can impact us in multiple, beneficial ways – opening up opportunity and the realisation of our true potential.

Reflection

I can relate to Jonas’s experience (recounted above) when applied to a recreational context rather than a professional one. I have continued to play social tennis in my late seventies and recently I played a half-volley, drop shot that left my much younger partner “gobsmacked”. He responded, “Wow, how did you do that? Can you teach me to do that shot?” At the time, I just shrugged but felt like saying:

I can’t teach you as I have never learnt to do that shot – it was purely instinctive, as I was caught “in no man’s land”. When you have achieved in tennis what I have done – played 10,000 sets of tennis over more than 60 years, practised Tai Chi for years (for balance and coordination), and spent numerous hours doing tennis drills – you, too, will be able to do instinctive tennis shots that surprise others (as well as yourself).

Becca’s comment that creativity can increase in later years also resonates strongly with me. I started this blog in 2016 (at the age of 70) and have now written more than 740 posts on this blog alone (my fifth blog). I have reduced my output from three posts per week to one post to enable space and time to conduct manager development workshops (hybrid mode) and to co-author a book with my colleague of 16 years (as our legacy to younger managers and organisational consultants). I am finding that connections and patterns come to me more rapidly and profusely as I read and write and I now write an average of 1,000 words per post (compared to the 300 words per post, I started with in 2016).

In her book, Becca recounts the comments of 69 year old creative dancer Liz Lerman who observed that as we grow old we “don’t need to make major life change to activate creativity’. In her view, “expanding our connections to people” can create life changes for us and spark renewed creativity. I have certainly found this with my active participation in the Creative Meetups hosted by the Health Story Collaborative.

Additionally, I am finding (in terms of creativity) that, as I age and reflect, I am writing more poems that are longer and more complex in structure and scope. In three days, inspired by Kim Rosen’s book Saved by a Poem, I have written three poems – previously I wrote four short poems over five years. One of my recent poems relates to the theme of this blog post and its predecessor about negative age beliefs:

Beliefs About Aging

To be positive, is to see opportunities

To be negative, is to deny potentiality.

Positive age beliefs open new horizons

Negative beliefs hold us captive and inert.

Positivity is openness to reality

Negativity is a closed mindset.

In being positive

Our full potential is possible.

With a grateful heart

I live my positive beliefs.

Reflecting and writing poetry enables us to grow in mindfulness. We come to realise that negative beliefs hold us back. Through mindfulness practices, we can grow in self-awareness, concentration, creativity and resourcefulness – we can become increasingly aware of what is around us each day and what it is possible to achieve.

Photo Credit: The photo incorporated in this post was by Steve Buissinne, aged 74, from South Africa. He joined Pixabay in 2014 and has had 556 photos accepted, 148 of which have been singled out as “Editor’s Choice” – a sign of excellence. His photos have been viewed 32.83 million times, resulting in 19.39 million downloads. Steve’s comment on his Pixabay site demonstrates his mindful awareness of the beauty that surrounds us:

Everything has beauty – photography teaches you to see it

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Image by Steve Buissinne from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

The Transformative Elements of a Poem

In a previous post I discussed the transformative power of poetry. In that post, I drew on Kim Rosen’s book, Saved by a Poem: The Transformative Power of Words, to illustrate personal transformations that have occurred through poetry, including that of the author and Maya Angelou. Poetry has a special power to transcend our analytical mind and capture our deeper inner landscape. It has a unique capacity to move people out of darkness into light, out of depression into contentment, out of loneliness into connection. In a section of her book, The Anatomy of A Poem (Chapter 5), Kim explains the elements of a poem that generate this transformative power. She links her discussion of the poetic elements to their psychophysical impact on an individual, while acknowledging that each person reacts to a poem differently and may change their reaction over time – rejection can turn into admiration.

The anatomy of a poem

In discussing the elements of a poem that may contribute to personal transformation, Kim identifies four aspects that can influence our reaction – (1) breath, (2) drumbeat, (3) song, and (4) image. These are discussed below to offer a sense of what they may look like and feel like:

Breath – our breathing can be impacted by the pattern and pace developed in a poem through rhythm, line length and phrasing. Rhythm, for example, can create calmness or a sense of urgency. Line length can be slow and ponderous or fast and staccato-like. Phrasing can be regular or irregular with disruption to an established pattern by short statements or punctuation. Surprise and challenge can change breathing patterns because they can pull us up from our habituated behaviours.
Drumbeat – the sense of a drum beating can flow from accentuated syllables followed by softer syllables or broken with pauses. The rhythm of a poem can create a sound experience similar to that of a drumbeat.
Song – a sense of singing can be generated through repetition, rhyme, or rhythm or alliteration as in the repeated “r’s” in this sentence. Words themselves can conjure sounds and their own sound can be a reminder of a song or singing. Resonance in a poem has a unique quality that can reverberate in the listener’s mind and body. Kim also maintains that “rhythm creates entrainment” and entrainment, in turn, “creates passion and movement” – the whole person synchronizes with the poem’s rhythm.
Image – can be created by word-pictures, metaphor, exploring ambiguity or opposites, and challenging linearity or expectations. Kim argues that “the body feels the images” – images that create sensations arising from both left-brain and right-brain activation.

While each component of an element (such as repetition, rhyme, or metaphor) can create an effect, it’s the unique combination of elements in a poem that can generate a transformational impact. In a New Dimensions Radio podcast, Kim discusses her concept of the “anatomy of a poem” and describes poetry, in all its many forms, as medicine for the soul.

Reflection: A poem about tennis

My poem below was inspired by Kim’s discussion of the “anatomy of a poem”. In writing the poem I was conscious of the transformative elements that Kim describes. I did not actively try to incorporate all the elements but became aware as I wrote how Kim’s discussion and illustrations were influencing the shape of my poem, For the Love of Tennis:

For the Love of Tennis

I’m grateful to play tennis again

The slice, the serve, the stroke, the sound.

A different goal

Not to win every point

To play with appreciation

And create surprise.

I’m grateful I can run, bend, stretch and strain

So much I’ve taken for granted.

No longer annoyed at my mistakes

Gratitude that I have the chance to make them.

There are many components of the elements that Kim describes incorporated in my poem. What immediately comes to mind is the alliteration achieved through the number of “s” letters/sounds present – slice, serve, stroke, sound, surprise, stretch, strain. The word “sound” has its own resonance and each type of tennis stroke (e.g. slice or serve) conjures up a different sound. The “strokes” together with “run, bend, stretch and strain” evoke images and conjure up a sense of movement.

There are components of challenge as well as surprise in the poem. There are challenges to expectations (to play to win; being grateful for the chance to make mistakes) along with “surprise” that is reinforced by the word itself. The goal of surprise arose from my need to change my own expectations of what I am able to achieve on a tennis court in my late 70’s. To this day I am able to create shots that surprise my partners and/or opponents (e.g., a backhand, half-volley drop shot; a topspin lob from corner to corner; an unplayable backhand slice; or a half-volley, backhand lob) – so this element of surprise is an achievable goal for me (since I have lost a lot of my strength, speed of reflexes and movement around the court). Surprise, too, is present in the sudden change in line length and equally sudden return to a longer line – eliciting the sense of a “drumbeat”.

Permeating the poem is a strong sense of gratitude – that I am able to play tennis again (after a period of rehabilitation); that I have access to a tennis court, social tennis partners and the equipment and funds to play; that I have been coached, had practice partners and played numerous games of tennis with different players; that I can move (run, bend, stretch and strain); that I can play many different tennis shots and associated spins; that I have played tennis on different surfaces and on overseas courts in France, Port Moresby, England and New Zealand. Finally, there is the personal challenge not to take these things for granted.

Tennis to me, like writing poetry, is one of the many ways to grow in mindfulness. Through tennis, I develop my powers of concentration and my gratitude, creativity, resilience and resourcefulness. I also become more able to “be-in-the-moment”.

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Image by Carola68 Die Welt ist bunt…… from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

The Transformative Power of Poetry

I have just been reading Kim Rosen’s brilliant book, Saved by a Poem: The Transformative Power of Words. I found it enlightening, stimulating and inspirational – opening up new areas for personal exploration. Kim is a world-renowned poet, activist, an award-winning “spoken-word artist, and a teacher of self-inquiry. She brings a rare openness, insight and compassion to her writing and numerous individual and community engagements. Kim collaborated with cellist Jami Seber to create Feast of Losses, a unique merging of music and poetry. The collaborative endeavour reflects the ambiguity of everyday life in today’s world – life and death, grief and joy, loss and gratitude.

Saved by a poem

In her book, Kim describes situations in her own life and that of significant other people where a poem has proved to be a source of insight, healing, support, and rescue from depression and/or suicide ideation. At the age of 15, Kim experienced an awakening from what she describes as her insular life characterised by “distance, intelligence, and control”. The poem, “somewhere I have never travelled, gladly beyond” by E.E.Cummings, broke through her protective shell – a remarkable unfolding occurred through the “waves of sensation, emotion, and imagery” she experienced when reading the poem aloud.

Kim explains that the healing from poetry occurred for her not from writing poems but from “taking a poem deeply” into her heart and life and speaking it aloud. She contends that the language of poetry is not a purely intellectual exercise but involves a holistic approach – engaging the whole person, their thoughts, emotions, spirit and body. Poetry enables personal integration, reinforcing the mind-body connection, exposing our inner reality and its embodiment in our physical sensations. It creates a sense of being vulnerable before a deeply profound truth that is difficult to deny.

Developing a relationship with a poem

Kim explains that sometimes we can seek out a poem for strength and support in a time of crisis – at other times a poem can seek us out. We may initially resist a poem’s message but eventually if we persist, especially in reading it aloud, it will penetrate our defences. She suggests that to take a poem into our life requires allowing the words to ignite our true essence – achieving an alignment of our “thoughts, words, and deeds with our heart’s wisdom and longing”.

Kim tells the story of when she lost all her investments and savings in a scam that left her unable to pay rent. A friend offered her somewhere to stay and together they continuously read aloud the poem Kindness, created by Naomi Shihab Nye. The poem seemed to find each of them independently before they shared lodging for a while. Kim recounts how, after memorising the poem and repeatedly saying it aloud, she came to understand that the kindness referred to in the poem is not about kindness to others but the kindness others offer you when you have lost everything. The opening words of the poem resonated deeply with her – Before you know what kindness is, you must lose things. Kim experienced an incredible outpouring of kindness from others when she lost everything – offers of accommodation or financial support and many gifts (even a year’s supply of lattes).

Kim suggests that choosing to learn a poem by heart can be influenced by curiosity, desire for pleasure, love or a personal need arising from a crisis. She also talks of the challenge from what she calls “the yoga of poetry”. We might be attracted initially to a poem but its inherent challenge, intellectually and/or emotionally, may be off-putting. The focal poem requires a degree of stretch, moving beyond our comfort zone or opening ourselves to new insights about ourself and/or others. This yoga-like stretch can be achieved progressively by persisting with the poem, reading it aloud, committing it to memory and, where possible, sharing it with others.

Opening up to poetry

Kim describes the habit she developed of recording poems in a diary, both those she has written and poems by others. She describes the resultant record as an Autobiography in Poems. She explains how each group of poems addressed a need at a particular point in her life, e.g. to challenge her “idealized image” of herself; facing chaotic feelings; and finding herself and her life purpose.

Kim argues that we can access the transformative power of poetry by writing or reading poetry, joining a poetry writing group, reading poems aloud by ourself or in public presentations, reading poems with a group and/or recording poems that appeal to us in a diary (or on digital voice media). She encourages us to explore poetry as a way of opening ourselves to the richness of our inner life, as well as our inhibitions.

Reflection

In her book, Kim describes how poetry saved Maya Angelou, after she had been raped by her mother’s boyfriend (at the age of seven) who was jailed and subsequently murdered. Maya, feeling guilty for exposing her attacker and contributing to his death, became mute for six years. During her silence, she memorised poems that appealed to her, including 60 Shakespearean sonnets. Her school teacher (when Maya was 12 years of age) was aware that Maya was mute and loved poetry, so she challenged her by saying, “in order to love poetry, you must speak it”. This led to Maya reciting a sonnet from Shakespeare – her first spoken words in six years. Maya went on to become a world-famous author, poet and activist. She also pioneered a unique autobiographical style in her book, I Know Why the Caged Bird Sings.

Kim observes that poems “seemed to know me better than I knew myself” and often “reflected my deepest feelings more intimately than words alone can touch” – because what touches us through a poem Is “between and beyond” the actual words. She maintains that poems can give voice to supressed feelings and longings that may be hidden from ourselves. I found this personally when I wrote a poem called The Inflammatory Thread in My life after hearing William Stafford’s poem, The Way It Is, provided as a stimulus piece for our writer’s meetup group with the Health Story Collaborative. Until I wrote the poem, I had not realised the extent of my frustration with my allergies and food sensitivities that were impacting what I could eat and drink and negatively affecting my relationships.

Writing, reading, speaking or sharing poetry can help us to grow in mindfulness because these activities can develop deep insight, expose our inner landscape and strengthen our resolve and courage, along with inspiring us to emulate the compassionate action of others.

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Image by cromaconceptovisual from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

Healing Collective Trauma

Thomas Hübl. intergenerational trauma expert, recently convened the Collective Trauma Summit 2023, designed to share ideas and healing processes “to inspire action to heal individual, ancestral and collective trauma”. The Summit was conducted online from 26 September to October 4 and was attended by 100,00 people which reinforces how pervasive trauma is within the global community. One of the goals of the Summit was to “create a global healing movement”. Thomas is the author of Healing Collective Trauma: A Process for Integrating Our Intergenerational and Cultural Wounds.

Thomas and his colleagues have been conducting these trauma conferences for the past five years to raise awareness of intergenerational trauma and its impacts on individuals and communities. Intergenerational trauma is a form of genetic inheritance of trauma experienced by descendants (typically children and grandchildren) of people who have survived catastrophic traumatic events. The inherited trauma can be reflected in hypervigilance and a wide range of physical and psychological responses to triggers associated with the original trauma experienced by ancestors. While the person experiencing intergenerational trauma does not experience “flashbacks”, as they were not present during the initiating traumatic event, they can experience maladaptive behaviour as a result of the transmission of trauma and trauma responses by their ancestors.

When we speak of intergenerational trauma we often think of survivors of the Holocaust or the devastation of Hiroshima. However, there are many sources of intergenerational trauma such as genocide of Native Americans and Aboriginals, institutional or familial child abuse and or neglect, domestic violence, war, colonisation, civil wars creating refugees, chronic illnesses/diseases (such as zoonotic diseases) and natural disasters (e.g., floods, wildfires, earthquakes, droughts and cyclones/hurricanes).

Developing awareness of collective trauma

Part of the focus of the Summit was to raise awareness of the “collective trauma” that resides in the global community as a result of the multiplicity of traumatic events in our world. It means that individuals and communities are not only coping with the challenges of day-to-day living in our fast-paced world but having to deal with the residual effects of inherited trauma – the “scar tissue of collective trauma”. One of the days of the Summit was thus devoted to “global social witnessing of world-wide uncertainty”.

Robin Alfred, in his usual articulate manner, maintained that awareness of the genetic transfer of trauma can help to reverse the ill-effects of collective trauma. He suggested that developing resonance by listening can enable people to heal through expressing themselves – getting the inside outside and achieving congruence in their lives. Robin contended that trauma clouds our minds so that we see ourself as a micro ecosystem, rather than as part of a global, social ecosystem. The way forward for him is for individuals and communities to plug into the massive, self-healing biosphere. He saw “relational resonance” creating a global healing environment as people around the world became aware of “systemic/intergenerational trauma” and explored their interconnectedness for healing. One of his own awareness practices involves exploring the lives and world of people he does not know, e.g., speaking to undercover police about their psychological distress, isolation and identity crisis. He epitomises the “not-knowing” mindset in pursuing understanding of people who hitherto he “has put far away” from himself.

Healing from the effects of collective trauma

Trauma can have multiple effects on a person’s life and relationships. During the Summit people told stories of their isolation and sense of aloneness, their fear and terror, their anxiety and depression and their disempowerment. One person described her experience of trauma as ”falling into a sinkhole”. People participating in the Summit were courageous and vulnerable in sharing their trauma and how it was playing out for them in their individual lives. Thomas reiterated the healing power of storytelling, especially with the support of a community of people “feeling with you and suffering also”.

Throughout the Summit, presenters and participants shared multiple healing modalities that they have employed to overcome the effects of trauma and intergenerational trauma. These modalities included:

Ceremony
Ritual
Calling in spirits
Dance
Joyful movement
Somatic Experiencing
Experiences of connection

Special attention was given to the arts such as music, poetry, literature, and paintings. Laura Calderon de la Barca, psychotherapist specialising in collective trauma, reinforced the power of art (e.g., poetry) to enable people to share experiences that are extremely stressful. In her view, art creates “an unfolding of space that needs to happen” to enable “ex-pression” (moving the inside to outside). The sharing, in whatever form it takes, creates movement towards healing. Laura noted that writing enabled her to bring order into her own life. She maintained that when people get engaged with the issue of collective trauma, compassionate action is created. She encouraged us to connect much more deeply with nature and embrace our own vulnerability through movement and dance.

Throughout the Summit, Kim Rosen read aloud poetry that spoke to the healing process, including The Song of the Man Who has Come Through by D.H. Lawrence. She also read a number of poems for Summit participants with the music of Jamie Sieber, electronic and acoustic cellist, playing in the background. Kim is the author of the book, Saved by A Poem: The Transformative Power of Words.

The way forward for healing collective trauma

Thomas stressed the desire for “global social witnessing”, and the Summit was one form of this solution. He emphasised the need for a global movement, a form of collective endeavour, that can work towards “healing the trauma between us”. He stressed the importance of melting the permafrost of trauma by enabling traumatised people to release their feelings, building connection through data sharing and facilitating interconnectedness through growing awareness of the community of people experiencing intergenerational and cultural trauma.

Thomas spoke of our horizontal as well as our vertical responsibility. Horizontally, our responsibility involves moving beyond our “hyper-individualised world” to respond to the pain and experience of others. Vertically, it entails developing awareness of our ancestors and indigenous populations and their collective trauma, as well as consciousness of younger generations and their collective anxiety. He particularly focused on the “fragmentation” of identities and communities caused by trauma and encouraged us “to refine and deepen our capacity to relate” because it is in alive relationships that we find the energy to create, new enabling structures “that are much better for the present point of evolution”.

He encouraged us to find “different ways to experience nature and each other” so that we can develop a more integrated “healing infrastructure” for collective trauma. He suggested that we can better tap into the “self-healing” mechanism of the body through connecting with each other and sharing our stories, power and resources. Storytelling is not only healing for the storyteller but also the listener.

Ruby Mendenhall shared her insights from the Summit and highlighted the motivation and inspiration that the experience provided. She especially noted how sharing in community can heal trauma and loneliness. Ruby argued that we have to become more aware of the cost and impact of unprocessed grief, especially that flowing from adverse childhood experiences. She maintained that a lot of people feel threatened around “gender norms or race” and that we need to take up the solutions that are already present to us but somewhat underdeveloped, such as somatic healing. Ruby stressed the urgency of educating children about adverse childhood experiences, the impact on the body and relationships and the ways to develop resilience with the aid of community. Ruby’s vision for black women who have experienced violence in their community is enunciated in her TEDx Talk, DREAMING and Designing Spaces of Hope in a “Hidden America”, where the mnemonic, DREAM, stands for Developing Responses to Poverty through Education And Meaning.

Reflection

I was particularly impressed with the emphasis on storytelling as a healing modality and the power of writing to facilitate healing. I am currently researching my own memoir that I plan to write as one way to process some of the traumatic events I have experienced in my lifetime – death of a baby brother, 18 months in an orphanage, my father as a prisoner-of-war in Changi prison for three years and absent for the first six years of my life, a serious car accident in the family car at age 12, my father suffering PTSD and becoming an aggressive alcoholic, and my divorce at age 37.

In the past, I have been able to process much of my trauma through living in a supportive community and growing in mindfulness through meditation, prayer and the practice of silence. I found too, that sport and especially playing tennis helped me to deal with tension and anxiety and to focus more on the present moment.

I realised through the Summit that I have had the tendency to individualise the trauma that I have experienced as a result of the traumatic events in my life. The Summit has made me more aware of the collective nature of trauma, especially intergenerational trauma. I am becoming more aware that I am part of the community of adult children of alcoholic parents; the community of children whose father went to war and was imprisoned and experienced physical and psychological injury; the community of children who experienced institutional neglect; the community of people who lost a sibling while growing up; and the community of people who experienced a missing parent in their early childhood. This realisation of different trauma-related communities that I am a part of reinforces for me the concept of “collective trauma”.

I have found it useful to connect with a community of people who share my current issue of chronic injury and who are able to openly share their experience of pain and recovery mechanisms. This community, the Health Story Collaborative, provides story sharing opportunities and mutual support for people experiencing chronic pain, disability or illness. It reinforces the Summit’s encouragement for mutual sharing in a supportive environment – becoming a microcosm of the global healing movement addressing collective trauma. The fundamental message is that we are not alone when experiencing trauma and its negative impacts on our quality of life and relationships. Together, we can muster the energy and creativity to access individual and global healing.

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Image by Big_Heart from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

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