loss – Grow Mindfulness

Dealing with Guilt and Shame on the Death of a Son or Daughter

In the previous post, I wrote about how storytelling helped Tiffany Barton deal with grief and loss on the suicide death of her son, Cosmo. She talked about her letter and poem, Young Death, that Nick Cave published in his book, Faith, Hope & Carnage. She expressed gratitude that Nick’s wife, Susie Cave (née Bick), allowed him to share her “guilt and shame” in his book because it helped Tiffany “so much to know I wasn’t alone”. Tiffany also stated that in sharing her own story publicly in the Weekend Magazine, she felt “some relief from pain” and “some forgiveness”. Her experience and that of Nick reinforces the wisdom of Annie Brewster in her book, The Healing Power of Storytelling: Using Personal Narrative to Navigate Illness, Trauma and Loss.

Forgiveness: Release from guilt and shame

The latter part of Nick’s book is devoted to forgiveness and the idea of making amends. He indicated that he and Susie were “looking the wrong way at the wrong time”. He suggested that everything they do now is designed “to seek forgiveness by making amends”. Tiffany related to that statement and indicated that her public storytelling was designed to help anyone else who is also wrestling “with guilt, shame and self-loathing” as a result of the suicide death of their son or daughter. Nick devotes a whole chapter (chapter 15) of his book to the theme of “Absolution”.

Nick found recording the Skelton Tree album in Brighton particularly challenging as he had to drive each day past the cliffs were his son Arthur died and past the Church where he was buried. Even moving to Paris to finish the recordings did not assuage his sadness or sense of guilt. What did effectively provide some form of “exoneration” and inner peace was the Andrew Dominik’s documentary, One More Time with Feeling. The documentary captures the final recording sessions of Skeleton Tree by Nick and his band, The Bad Seeds, following the death of his son. It also incorporates Nick’s reflections and those of his wife, Susie. Nick explains that the documentary seemed like it did something for Arthur – “bring him back into the world”. It served as a form of release for his own sense of helplessness and guilt and enabled him to experience “a kind of peace, an internal silence and calmness”, even when driving past the cliffs where Arthur died.

Finding forgiveness in working with clay

Nick found his way to forgiveness not only through his music but also through working with clay and developing figurines “in the Staffordshire style”. He became obsessed with this project pursuing it intensely because he was totally absorbed by it and experienced flow through the deep concentration involved. Nick found the process therapeutic, permeating his dreams and consuming much of his time when he was awake. He indicated that part of the attraction of working with clay was that the process was “something very direct and elemental”. Nick found that the medium “felt liberating, also very healing”.

Sean O’Hagan, Nick’s interviewer for the Faith, Hope & Carnage book, was intrigued by Nick’s compulsion with the clay figurines and asked about the portrayal of the epic journey involved, a seeming allegory. Nick responded that the figurines were not intended to be directly about Arthur but, in the final analysis, had something to do with his death – there is a gesture of atonement involved in the final sculpture that is titled “Devil’s Forgiveness”. When asked directly whether the figurine epic is “an allegory about forgiveness”, Nick found it difficult to articulate exactly what the figurines meant. However, despite himself, the figurines, and the story they portrayed, spoke to him “directly and explicitly”. He found that the “plain and explicit nature” of the figurines related to him “the larger and unambiguous meaning of his predicament”.

Nick explained that the theme running through each of the sculptures, and the underlining story, is “the need to be forgiven” which he maintains is at the centre of his life and that of Susie and, as such, acts as a “motivating force”. Nick stated that the Faith, Hope & Carnage book, his live performances, albums (Skeleton Tree, Carnage and Ghosteen), The Red Hand Files, and his In Conversations events, are all asking for absolution – “to be released from my own personal culpability”. He also maintained that all the work that they do – he (with his creative works) and Susie (with her “ghost-like dresses”) are asking for forgiveness and saying that they are sorry for what happened to Arthur. In his own words, Nick asserts, “There is not a song or word or a stitch that is not asking for forgiveness”.

Reflection

It is not possible to fathom the depth of grief and feelings of guilt and shame experienced by a parent on the death of a son or daughter. Grief expresses itself in unique ways – for some it is totally consuming and takes over their life. For others, it seems to be a passing feeling that becomes buried before it can become an all-consuming pain. Some retreat into isolation , others “party on” while attempting to “drown their sorrows”.

The road to self-forgiveness and absolution is a long and winding road, and often a tortuous path. It is highly individualised as reflected in Nick’s figurine epic and Susie’s dress designs. Each person has to find their own way through the darkness of grief, guilt and shame. For Nick and Susie, the road to release was paved with creativity – but never dissolving the underlying sadness.

Nick mentioned that meditating enabled him to access his better, sympathetic self. In contrast, when he stopped meditating, his life tended “to slip back into chaos, low level depression and anger”. As we grow in mindfulness through meditation, we can progressively deal with our challenging feelings of grief, guilt and shame and find a way to support others through empathy and compassionate action, whatever unique form that takes. Through his pain, Nick reminds us to savour the “the precious nature of things” and the world at large.

________________________________

Image by Sergio Cerrato – Italia from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

Dealing with Loss and Grief

Previously I have written about the power of storytelling to manage grief. I drew on the writing of Dr. Annie Brewster and Nick Cave. Annie published her groundbreaking book, The Healing Power of Storytelling, to share her own story and that of others who have experienced loss, trauma or serious chronic illness.

In his book, Faith, Hope & Carnage, Nick demonstrates how his storytelling through his writing, documentary and his creative endeavours (songwriting, recording and performing) provided him with growth and transformation and enabled him to manage his grief with the loss of his 15 year old son, Arthur.

Even before his son’s death, Nick felt a strong need for social connection and so he created the website, Red Hand Files, to give his fans an avenue to communicate with him by asking questions of him. The resultant Red Hand Files moved from a superficial exchange re his songs and their origins to a deeply personal storytelling exchange that Nick described as an “exercise in communal vulnerability and transparency”.

Nick maintains that that through the Red Hand Files his past debilitating filters ‘have been dismantled over time” and wonder and awe have been restored in his life. He indicates that the experience of the Red Hand Files, involving mutual storytelling, has enabled him to slowly develop self-awareness and transparency by “prising” him open – moving him to progressively disclose himself and the depth of his feelings. He asserts that the process of such mutual vulnerability caused him to change as a person, songwriter and performer.

Nick’s interviewer for his book, Sean O’Hagan, comments that the letters people wrote to Nick as part of the Red Hand Files were very powerful in transforming people’s lives and served to fulfill their need for connection “by articulating their particular story for somebody else to hear”. The online files enabled people to reach out and find a way to voice their own grief. Tiffany Barton’s story is an illustration of the power of such sharing through storytelling.

Tiffany Barton’s story of loss and grief

Tiffany recently shared her story of loss and grief, and her healing interaction with Nick, in her story, “Into My Arms”, in The Weekend Australian Magazine, June 10-11 (pp.15-19). Tiffany lost her 22 year old, gifted son, Cosmo, through suicide. It is only after his death that she began to realise that Cosmo showed signs of being on the autism spectrum. For example, he had a phenomenal memory, being able to recite the 230 digits of Pi. He was also readily able to memorise Mozart, Beethoven and Haydn when learning music and performing.

Cosmo had a totally absorbing passion for the fortepiano, an instrument like a piano but based on instruments developed before 1930 (and differing from the modern piano in tone, touch and appearance). Cosmo was mesmerized by the fortepiano often talking passionately about its history, mechanics and technique and developing a unique skill in tuning the instrument. His passion led him to study the fortepiano at the Western Australia Academy of Performing Arts (WAAPA) where he hoped to eventually complete a PhD. His last performance on the fortepiano was described by Tiffany as “a stunning final concert at WAAPA”. Cosmo suffered terribly from sclerosis which led him to seek relief from a drug purchased online, that ultimately led to his death.

In her article, Tiffany describes her grief as being “like a mosquito smashed on the window of a ten-tonne truck”. She drew on Nick’s words to describe the “vastness” of grief, reducing us to “trembling clusters of atoms subsumed within grief’s awesome presence”. Tiffany became aware of Nick’s writings on grief through his Red Hand Files and was particularly moved by his “Letter to Cynthia” that he turned into a song. She wrote a poem “young death” about the night Cosmo died which helped her “purge some of the trauma and change” she carried.

Tiffany reached out to Nick by writing a letter to him and including her poem. Nick was incredibly moved by Tiffany’s courage and clarity in articulating her grief and asked her permission to publish her letter and poem in his Faith, Hope & Carnage book (which he duly did). He also asked her to record them for his audiobook.

Nick subsequently contacted Tiffany and spoke in his usual “patient” and “loving” way. Besides checking-in on her welfare, he inquired about her meditation practice. She explained that she uses meditation to communicate with Cosmo. In her discussion with Nick she spoke of Cosmo’s drug use and the impact of intergenerational trauma on her family. Tiffany explained that Nick’s ability to articulate his “grief, loss, love, art and spiritual awakening” in his book soothed her and “offered her respite from her horror”.

Reflection

Nick found that there was “freedom in grief” and indicated that the words of Kris Kristofferson song, Bobby McGee, resonated with him – “Freedom’s just another word for nothin’ left to lose”. Nick came to reconcile with the reality of the human condition and the “acute jeopardy of life”. He strongly urges us to appreciate all aspects of our life and savour “the time we have together in this world”.

It’s in facing our challenging emotions that we can break free of their hold over us and realise true freedom. Storytelling and sharing with others can open us up to the depths of our feelings and release us from the hold of our own expectations and those of others. As we grow in mindfulness through openness, curiosity and non-judgmental attention, we can deepen our self-awareness and develop the courage to share our story of loss and grief for our own healing and transformation.

________________________________

Image by Lars Barstad from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group, and the resources to support the blog.

Managing Grief through Storytelling

Dr. Annie Brewster, M.D. describes the power of storytelling for healing and recovery from illness, injury or loss in her book, The Healing Power of Storytelling: Using Personal Narrative to Navigate Illness, Trauma and Loss. She stresses the need to develop a new “narrative identity” after receiving a life-changing medical diagnosis. Annie provides an online avenue for people to share their stories of health challenges and recovery in her Health Story Collaborative which is dedicated to enabling people to heal through the therapeutic power of storytelling and a supportive social network.

In her book, Annie highlights the need to make the storytelling authentic – not just a recounting of events but also exposure of the nature and intensity of accompanying emotions. This means being open about our feelings even those such as resentment that we might be embarrassed about. It is in identifying and facing our difficult feelings that we can gain release from their hold on us. Annie stresses that it is not the medium of storytelling that matters, any form will can have a healing effect – video, audio, song, poem, letter or blog post.

Storytelling can be a powerful process for managing grief after the loss of a partner or child. Bruce Feiler stresses the need to change our “story narrative” when encountering such “lifequakes” – we have to change our linear mindset about life’s progression and allow for regression that can occur at any time. In his book, Life is in the Transitions: Mastering Change at any Age, he offers strategies, including storytelling, to reframe and reshape our lives in the event of personal loss. To assist this process of rebuilding, Bruce offers an online resource in the form of the Life Story Online Interview.

Nick Cave’s Story of grief

In his book, Faith, Hope and Carnage, developed through intimate interviews with Sean O’Hagan, Nick discusses his inner life – his creativity, challenges, loss, grief and guilt. His storytelling in the book and his music provides a catalyst for healing, growth and transformation. Nick and his wife Susie were devastated by the death of their 15 year old son, Arthur, in 2015. He described the initial grief reaction of Susie and himself as a “kind of zombification” – “a kind of morbid worshipping of an absence”.

Nick indicated that there was a real danger in such grief reflected in “a reluctance to move beyond the trauma” – because the lost person resides there and that is where meaning is initially found. He indicated that he experienced simultaneously being caught up in the “commonality of human suffering” and experiencing a deep sense of aloneness – a maddening and “extreme paradox”. Nick stressed the physicality of grief describing grief as “pounding through my body with an audible roar”, accompanied by “despair bursting through the tips of my fingers”. He also felt this “violent electricity” in the hand of his wife. He indicated that both he and Susie were “unreachable” at the time, despite the very best intentions of other people.

Nick indicated that on the advice of a friend, he undertook a form of somatic healing. He started the session lying down in a “euphoric” state. Before long, he was consumed by rage and his body bucked and vibrated from the intensity of the feeling. He observed that “you never really know what you are carrying around in you”. Bessel van der Kolk reminds us that The Body Keeps the Score in his landmark book on “the brain and the body in the transformation of trauma”.

Nick’s son died while he was recording a new album, Skeleton Tree, with his Bad Seeds band members. Nick found it extremely difficult to tour to promote the album but a friend, New Zealand-born director Andrew Dominik, offered to produce a documentary along with release of the album. The documentary, One More Time with Feeling, enabled Nick to tell his story of the trauma and grief he experienced on the death of his son. On release of the album, the Guardian described it as “a masterpiece of love and devastation” and it debuted at #1 on the Australian Aria charts.

Over time, “fragments of light” were experienced by Susie and Nick amongst the incredible darkness of grief. They were gradually able to see that people cared and that in this care and kindness lay recovery. The healing influence of social support was brought home to Nick when he undertook his Skeleton Tree Tour in January 2017. Nick indicated that he was depleted, exhausted and depressed before the tour and some of his band members were experiencing personal challenges too. Collectively, they started the tour with “trepidation” because of their lack of energy while consumed by sadness. However, Nick found that performing his songs (and story) on stage was “restorative” because of the “force field of the audience’s concern and awareness and love”. Storytelling through the power of his songs became a source of healing and a way to manage his grief.

Nick indicated that the “lifequake” of his son’s death brought home to him that suffering is the gateway to deep personal change, transition and transformation. Suffering, especially grief, forces you to redefine yourself and to seek out a new meaning for your life and adopt a new perspective on what is important.

Compassionate action through grief

Grief can energise individuals to take compassionate action, e.g. the legislative reform actions for backpackers initiated by Rosie Ayliffe on the murder of her 21 year old daughter – a story told in her book, Far From Home. Likewise, Nick was motivated to establish a website, Red Hand Files in 2018 where his fans could ask questions and seek answers from him. The website transformed from a “Q & A” type activity to what Nick describes as an “exercise in communal vulnerability and transparency” and a “life-changing, soul-enriching exercise in commonality and togetherness”. People who write to Nick via the website are able to share their stories and seek his comments and reassurance. He readily participates in this mutual story telling and story-sharing.

Grief can flow from many types of losses. It may be that a child loses their way and their personality through illicit drug use or end up in prison as a result of some criminal activity. It may be, too, that a son or daughter chooses to change gender roles. A recent post on the Red Hand Files highlights the associated sense of loss and grief of a parent when this occurs. Nick’s sensitive response to this story highlights his understanding of loss and grief. He talks of a parent’s sense of a loss of control and ,even worse, “a profound understanding that we never had control of them [our children] in the first place”. Nick suggested that the greatest sacrifice a parent can make is to “let go”. He appreciated that the parent and their offspring were able to find a “common bond” in his songs and readily agreed to the request to play O Children in Minnesota, dedicated to “Claude” as the newly named offspring.

Reflection

Storytelling can take many forms and lead to healing from grief – sharing the story adds another dimension in that it enables others to heal also. Nick talks about his songs being “a force” that “can make people better” or help them in some other way. Storytelling involves transparency, personal disclosure and risk but the returns are health, healing and recovery.

As we grow in mindfulness and self-awareness, we can embrace our new reality after a loss and restore our sense of beauty and goodness in the world.

There are many resources to help us deal with grief and trauma. One of these is Dr. Bonnie Badenoch’s online course, Trauma and the Embodied Brain.

________________________________

Image by un-perfekt from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the website and resources to support the blog.

Valuing the Present Moment

Allyson Pimentel provides a meditation podcast on the topic, The Beauty of the Present Moment. People from around the world participated in the live, online event which was conducted and recorded via Zoom. During the podcast, Allyson stated that mindfulness involves “paying attention with intention” to the present moment in a way that involves openness, curiosity and acceptance of what is, whether pleasure or pain, happiness or sadness, understanding or confusion. She suggested that as we develop the capacity to attend to each moment with heightened awareness, we can develop a deeper appreciation of beauty, compassion (towards ourselves and others) and a “love for the moment”. If we are always consumed by thoughts of the past or the future, we will miss the richness and power of now. As Alan Watts comments, “Life exists at this moment”.

Awareness of beauty

Allyson introduces a brief process to raise our awareness of the beauty that surrounds us in the present moment. She asks that we pay attention to something we consider beautiful, however momentarily. If we are inside a dwelling, we could look at a pleasing painting, observe the clear sky through our window, listen to the early morning songs of birds or touch something that is smooth or rough as we appreciate its texture.

If we are outside, we could listen to the wind rustling in the trees, smell the aroma from freshly opening flowers, feel the softness of the grass beneath our feet or admire the shape and stature of the trees in the mist. Beauty as they say is in the “eye [and other senses] of the beholder”.

Allyson reminds us that beauty is around us all the time and by tapping into the present moment, we can learn to be aware of beauty and to increase our capacity to cope with life challenges, whether they be illness, grief, loss, confusion, or the slow decline of a parent through Alzheimer’s Disease who is becoming disconnected from the present..

A present moment meditation using body scan

One way into appreciating the present moment in all its import is to undertake a body scan meditation. Allyson provides a guided meditation in her podcast as a way to do this. She begins by having us take a deep breath and exhale deeply to clear any bodily tensions and to bring us more fully into the present moment.

She then provides a progressive body scan beginning with your feet and moving through all parts of your body, noting any points of tension. As we become grounded in bodily sensations, we become more attuned to our thoughts and feelings as they arise spontaneously. Allyson encourages us to accept whatever is our human condition at this point in time and to show ourselves compassion. From this base of self-compassion, we can extend empathy to others and offer them loving-kindness. Attunement to, and acceptance of, our current reality strengthens our connection to the world and to others.

Allyson Pimentel holds up Tina Turner as a model of present moment awareness, acceptance of her condition and the capacity to take compassionate action towards others. In her documentary, for example, Tina reveals that in a period of five years she experienced cancer, a stroke and kidney failure. Despite having daily dialysis for four hours, she was not depressed but appreciative of the fact that she had more time to live. Tina encapsulated her philosophy on life in her book, Happiness Becomes You: A Guide to Changing Your Life for Good.

In Allyson’s view, Tina epitomises what Rumi describes as The Guest House – “being human is a guest house” for pain, meanness, joy, happiness, sorrow, and every other manifestation of the human condition. Rumi encourages us to appreciate whatever comes our way because each experience is a “guide”.

Reflection

The challenge of the present moment is also its power. If we can truly be with what is and accept what we cannot change, we can develop an appreciation of being alive, strength and resilience to meet life’s challenges and a deep-seated sense of ease and equanimity. As we grow in mindfulness though meditation and awareness of the present moment, we can tap into the power of now and the richness of a life fully lived.

_________________________________

Image by Luca Finardi from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group and the resources to support the blog.

Exploring Healing and Creativity through Music and Nature Imagery

Louie Schwartzberg, time-lapse photographer and filmmaker, in a recent Wonder and Awe podcast, interviewed Lindsey Stirling, internationally famous songwriter, violinist and dancer. They explored the role of music and nature imagery in self-healing and in stimulating energy and creativity. Louie and Lindsey have collaborated on a number of projects, including The Big Sur – shown during the podcast interview and featured in Louie’s Moving Art video on Netflix. They identified one key aspect that their individual artistry has in common – Lindsey’s classical music and videos and Louie’s nature photography and videos – both have no words. They pointed out that in a world of information overload they offer inspiration, a personal emotional journey, self-awareness, and self-healing. Lyrics, in contrast, can take us down the track of the thoughts and emotions portrayed by the creator.

Healing from grief through music

Lindsey spoke of her grief with the loss of her father and her best friend in the one year, and how she turned to music as a form of self-therapy to deal with her sense of loss and associated grief. Her album, Brave Enough, enabled her to pour out her grief and to be “brave enough” to feel the intensity of her difficult emotions. She said that every song on the album was inspired by her feelings of grief and loss. In her reflection on the loss through Lymphoma, of her keyboard player and best friend, Jason Gaviati, she indicated that the true path to success is being able to “rise from failure”, time and time again. She stated that her album and related Brave enough tour were about “the courage to feel, to feel everything”.

She wrote the instrumental song Guardian which highlights the way her own grief became transformed into connection. Working with Mako, she was able to hear the words that expressed her grief in a song called, Lose You Now. She wanted this music to be light and conducive to reminiscing (e.g., the Monarch butterfly represented her friend Jason) while building hope for the future, despite the sadness of the past. Louie commended her for her inner strength and ability to manage the challenges of “the journey of life” with all its waves and vicissitudes.

Bouncing back from setbacks and failure

Lindsey Stirling was buzzed off by Piers Morgan during the quarter-finals of America’s Got Talent and was rejected by the judges who variously said she was “not good enough”, “would not fill a concert hall in Las Vegas” and was “not a world-class violinist”. All of which made her work harder at both her music and her dancing. Lindsey’s accomplishments since then are mind-boggling. By 2017, she had 600 Million views of her music/dance videos on her YouTube Channel and, at time of writing, this number has grown to 3 Billion views of her 100 videos. She made history with her 5 top-selling albums and filled concert halls everywhere (her “Brave Enough tour” involved 83 concerts in 20 countries). Also, Lindsey and her dancing partner were second on Season 25 (2017) of Dancing With The Stars (DWTS). As she has proven in her own life, “bouncing back” from setbacks is an essential element in her success.

Parents as models and inspiration

When asked by Louie how she had developed her passion for music, dance and storytelling in song, Lindsey maintained that her earliest influences were her parents who exposed her to the arts, especially classical music. Her mother was creative in her sewing endeavours, a skill that Lindsey also shared, while her father’s creativity was expressed through writing stories that he often read to her. Lindsey identified her storytelling as her “greatest gift”.

Gratitude in the midst of loss and pain

Lindsey tells the story of how painful it was to be at the bedside as she and her sister watched her father die of cancer. In those moments of extreme sadness, they found the inspiration and energy to tell each other stories of their childhood memories of being with their father. Amidst the tears and pain, she felt an intense sense of gratitude for having had such a life together and a rich store of wonderful memories.

This experience was replicated when she took on the challenging task of dancing and playing the violin while hanging from her hair to create the video for the song, Crystallize. The excruciatingly painful training over three months for this achievement has been recorded in her Hair Hanging Vlog. Despite the pain, Lindsey was able to feel gratitude for the feelings of beauty and power that the final performance engendered in her. Her basic message is that we are all capable of what at first seems impossible because we have achieved hard things before. She reiterated that “courage and faith can be found through the fear” and that “gratitude can be discovered by our losses”.

Developing resilience through gratitude

Louie observed that research has demonstrated that gratitude develops resilience. He maintained that if your mind is filled with thoughts of gratitude, there is no room for negative thoughts. Both Lindsey and Louie agreed that if you focus on what you have, rather than what you do not have, you are healing yourself, building your energy and opening yourself to creativity. As Louie stated, “If every experience is a gift, then your only attitude is gratitude”. As Jon Kabat-Zinn points out, “we become what we focus on”. Lindsey illustrates this idea through her practice of writing in a gratitude journal each morning and night. She maintained that this practice that started as a chore is now something she looks forward to and enables her to frequently be grateful in the moment.

Lindsey noted that while being able to play the violin, write songs and dance are gifts in themselves, her special gift that she realizes when performing is an “intense connection” with people in her audience as she looks into their eyes while performing. For her, this is a special place where she sees the beauty in everyone and is consumed with love.

Lindsey has established the Upside Fund to provide financial assistance to people experiencing financial difficulties as a result of the pandemic. She started this fund, which accepts donations, after her father died in hospital and she began each Christmas to pay the hospital medical bills of 10 people. The name of the fund is based on the idea that we can each “lift where stand” – we are each in a unique position to contribute to the welfare of others based on our life circumstances, location, and the gifts that we are grateful for. Lindsey particularly works through her fan base to build the fund and support people in need.

Mindfulness, music, nature, and dance

I have previously explored the relationship between mindfulness and playing a musical instrument. Lindsey stated that when she plays the violin for herself (not for her work) she finds it meditative. She is completely in the moment when she dances and particularly when she is doing so in nature.

Louie as an “action man” is not a practitioner of formal meditation – he experiences his mindfulness through immersion in nature which he contends increases his capacity for “courage, creativity, kindness and compassion”.

Both Louie and Lindsey suggest that to be more mindful and focused on the moment that we should not be obsessed with the end goal but experience the process fully, whether it is playing an instrument, learning a dance, taking time-lapse photography, or developing a video. Louie stated that after 40 years of time-lapse photography, he has only a total of 16 hours of high-quality film – he indicated that a day’s work would typically produce 2 seconds of useful film. To him the process of observing and photographing the beauty of nature is what brings him joy, healing, and happiness. He can walk in nature when not filming and notice the quality of light and how it reflects on plants and flowers. He can walk mindfully in nature, engaging all his senses.

Louie articulated his belief that nature cultivates gratitude and mindfulness when he presented a Ted Talk on the theme, Nature, Beauty, and Gratitude, which featured his movie titled Gratitude that incorporated his time-lapse photography and his fundamental belief about the need to be grateful for everything in life.

Reflection

Nature stimulates reflection, healing, energy, gratitude, and creativity. Music and dance, in their many forms, can have similar outcomes. We have a choice in terms of how we spend our time and what we consume mentally and emotionally. We can grow in mindfulness and enjoy all its benefits through exposure to nature, music and dance or we can become overwhelmed by information and the news and the negativity that they often engender.

______________________________

Image by sun liming from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group and the resources to support the blog.

A Meditation for Grief and Loss

The sense of grief and loss can be overwhelming in these challenging times of the Coronavirus pandemic. Maybe we have lost a relative, friend or colleague to the virus or we are experiencing the loss of the way things used to be – the levity and gaiety of daily interactions, the structure and social intercourse of a common workplace, the freedom of movement and access, the enjoyment of our favourite sport or pastime or the security, success and predictability of our business. It is easy to beat up on ourselves and say, “I should be over this by now” or “Why aren’t I more positive like other people?” Grief and loss have their own individual expression and it takes time and space to deal with the intensity of these difficult emotions.

Meditation as a refuge

Whatever is the cause of our sense of grief and loss, meditation can serve as a refuge – a place of safety, security and equanimity in the midst of everything that is unsettling. It enables us to accept what is and move forward, even with tentative ideas and steps. Meditation provides a grounding when the sense of loss is swirling around us, encompassing our thoughts and emotions.

We can become grounded through our breath – noticing the in-breath and out-breath and the rise and fall of our abdomen or chest. We can rest in the space between our in-breath and out-breath and envisage kindness and strength flowing into us while tension and unease flows out of us.

We can sense the solid feeling of the floor or ground whether we are sitting, lying, standing or walking during our meditation. As we do a body scan, we can notice our bodily sensations and points of tension – caused by suppressing the sense of grief and loss and holding back the natural flow of difficult emotions. We can breathe into these places of tautness and pain and allow our emotions to surface and release.

We can feel the flow of energy, warmth and strength move through us as we sense the tingling in our hands and feet or through our fingers touching each other. We can sense surrounding sounds by tuning into the room tone or the sounds surrounding us in the open – the breeze blowing, leaves in the trees rustling or the birds chirping or singing. We can become immersed in the energetic field of our surround-sound as we allow ourselves to experience focused attention.

Meditation for grief and loss

We can use general forms of emotion meditation or a structured approach such as the R.A.I.N. process (recognise, allow, investigate, nurture). Alternatively, we can use a specific meditation focused on grief and loss. For example, Diana Winston, author of The Little Book of Being, offers a guided meditation podcast on Working with Grief and Loss.

Her approach begins with grounding processes such as those described above but then moves onto dealing directly with the emotions of grief and loss. She suggests at the outset of her focus on grief and loss (22min. mark), that you envisage a time when you were held tightly and securely and encompassed in love and compassion – whether by a parent, intimate partner or a close friend. Diana encourages you to dwell in this feeling of being surrounded by support and strength, a feeling that can be reinforced by feeling the solidity of the floor or ground beneath your feet or body.

Diana encourages you to notice your feelings of sadness whether it is for yourself, others close to you or people in your neighbourhood or interstate (as with the rising number of deaths from Coronavirus in the State of Victoria, Australia). She suggests that you allow the emotions and bodily sensations to manifest themselves – whether feelings of anxiety, constriction or heaviness of mind and heart. She stresses the importance of staying grounded throughout by simultaneously being connected to something solid – a memory of being held warmly or the solidity of the earth beneath your feet.

While experiencing these emotions, especially if you are feeling regret at failing to appreciate what you had or connecting with a loved one, it is vital to show yourself kindness and self-compassion and to reassure yourself with words like, “I can get through this”, and “I have the support of others wherever in the world they might be”. You can extend your compassion to others who are experiencing their own form of loss and grief, especially those in Beirut at the moment. Tara reminds us to accept what is and to acknowledge that “we are all in this together”.

Reflection

It is natural to feel grief and loss in challenging times like those we are all experiencing differentially at the moment wherever we are in the world. Denying those feelings can intensify them and lead to harmful and unproductive behaviour and negatively impact our interactions. Meditation provides a refuge and a way to face our difficult emotions with kindness and self-compassion.

As we grow in mindfulness through meditation and reflection, we can find the resilience and strength to persist in the face of adversity and restore our equanimity no matter what the circumstances that challenge our ability to cope.

________________________________________

Image by Nikolaus Bader from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution, Non-Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group and the resources to support the blog.