resonance – Grow Mindfulness

A Mindful Approach to Memoir Writing

Hay House Publishing recently provided a Book Writer’s Bootcamp which was held over 4 days with two hour Zoom sessions each day conducted by Reid Tracy CEO and Kelly Notaras (a 20 year veteran of the publishing industry – including a role as VP and Editorial Director for Sounds True which specialises in spirituality publishing). Reid and Kelly covered a wide range of topics associated with book writing including identifying your audience, deciding the genre of your book, the “hook” for your book, basic research, developing an outline, the roles of editors, deciding your perspective (first, second or third person or a combination) and getting published.

Both Reid and Kelly make the point that once you get started as a writer, you never know where your writing will take you. Kelly is a very experienced editor and she eventually started her own business, KN Literary Arts, where she offers book coaching, writing support, editing and assisted self-publishing. Through her website and YouTube channel, she offers free, ongoing advice and encouragement for authors. Kelly is also the author of The Book You Were Born to Write: Everything You Need to (Finally) Get Your Wisdom onto the Page and into the World.

Adopting a mindful approach to writing your memoir

Memoir writing requires mindfulness – being conscious of what you are doing in the moment and why you are doing it. It entails dealing with your thoughts and feelings as they occur (rather than pushing them aside). You have to be mindful of your audience, understand their needs and distil the wisdom of your life for their benefit. Throughout, you need to be patient, be prepared to be immersed in your focus and allow time for the book to germinate (after developing fertile ground through mindfulness). Writing will demand openness to the lessons learned in your life and in the act of reflecting and writing. Below are some things you can do to develop a mindful approach to writing your memoir.

Dealing with your own negative messaging: Seth Godin, multi-award bestseller and expert marketer, reminds us that you have to quiet your lizard brain when attempting something new. You naturally tend (through fear) to identify all the objections and potential problems. You might think that “I am not good enough”, “I am going over old ground” or that “I am not good at writing”. Mindfulness practices can help us overcome negative thinking and remove this barrier to progress. Reid and Kelly remind you that no one has had your unique life experiences or been in your position to experiment with your insights or ideas. You can bring your own “mindset and methodology” to existing knowledge areas (such as raising children, handling grief, overcoming setbacks). In relation to writing skill, one of my Professors always said that to learn to write, you need to “write, write, write!” Writing begets writing skill and I have seen this in children in primary school – by beginning with something that is achievable in the first instance and then progressively expanding their capacity. In the early days (2016) of this particular blog with its special focus on mindfulness, I was struggling to write 300-word posts; now, after more than 700 posts, I have trouble restricting my writing to around 1,000 words (my desired length).

Identify your audience: It takes discipline and considerable thinking time to understand who specifically you are writing for. Kelly reminds us that writing a memoir is “80% thinking time” and the rest actually writing and doing related tasks. The more specific you can make your audience (even just focusing on someone you know or a particular small group you have had experiences with), the easier it will be to decide what to include or exclude. If you try to write “for everybody”, you will tend to ramble and this has no appeal for, or traction with, the reader. Kelly maintains that “the more niche, the greater the success” – the more you can target your message to a specific audience “who needs what you have to share”, the more likely you are to be successful.

Know your genre: According to Kelly and Reid, memoirs tend to fall into three categories – (1) Narrative Memoir, (2) Prescriptive Non-Fiction or (3) Teaching Memoir. A narrative memoir focuses on a particular period of your life (a story) and a related theme; prescriptive non-fiction focuses on “how-to-do” something, for example, writing, meditation, cooking or managing time; and the teaching memoir melds storytelling with “lessons” (e.g. through exercises or guides). Kelly helps you to delineate these different genres by providing a free download to subscribers in the form of Three Classic Book Outlines – outlines that cover each of the three types of memoirs mentioned above. An outline is critical for structuring your writing and determining your outline is typically an iterative process as you begin to write and understand your audience and your theme/focus. Kelly also talks about the differences between memoirs and autobiographies in one of her many YouTube videos.

Check whether your book has resonance with your audience: Both Hay House and KN Literary Arts focus on transformational non-fiction – this is where someone who has experienced some form of “transformation” wants to share their acquired insights and wisdom by writing a self-help book, an inspirational memoir, or focusing their book on personal growth or spiritual development. In one of her videos, Kelly provides the Three Keys for effectively undertaking transformational non-fiction. Besides focusing on your own wisdom (not that of someone else you admire), Kelly encourages you to take the time necessary to distil your wisdom from your own experience and to identify what will have resonance with your audience. She suggests “teaching before you write your book” is a good way to undertake what she calls “resonance and development” – through research, identifying more completely what your audience needs. Kelly argues that “books tend to germinate slowly” and will develop according to their own schedule, not yours. She maintains that you need to take the time necessary to build greater resonance with your audience and to develop the insight to discern the connections amongst seemingly discrete events/experiences. Too often, intending writers have failed to achieve the necessary immersion in their topic/theme to achieve the required level of clarity to facilitate effective writing. Lack of immersion will be reflected in “poor digestion” of the issues/problems being addressed and leave the reader confused and uncertain and unwilling to recommend your book.

Overcoming writer’s block: There are numerous suggestions on the Internet for overcoming writer’s block. Some people encourage mindful walking to clear your mind and develop self-awareness. Other suggestions include journalling (and naming your feelings about writing), speed writing or writing poetry. Nancy Levin, author of Writing for My Life…Reclaiming the Lost Pieces of Me: A Poetic Journey, offers insights into how to explore your own vulnerability and connect with others through poetry. Reading memoirs of others can also act as a stimulus to free up your thinking and writing (Kelly and Reid suggest that this reading research is a necessary component for effective memoir writing anyway).

Consciously overcoming the tendency to perfectionism: Both Reid and Kelly maintain that you should write your first draft of your book before you begin editing. This avoids the tendency to perfectionism – a tendency that can create a severe blockage in your writing. If you don’t hold off editing until you finish your first draft, you can end up in a process of continuous writing and rewriting without achieving any substantial progress on your manuscript. The same principle applies to your efforts to write a hook for your memoir or an initial outline. Start with a tentative hook and outline and refine them as you go – you will gain greater clarity for both as your write.

Reflection

What is very clear from the Hay House Bootcamp and related writing and videos is that in writing a memoir you are processing yourself as well as providing a resource for others. As Kelly points out, your book itself can actually be a milestone in your own learning (or spiritual) journey. Elsewhere, I have written about the Healing Power of Storytelling. Creating a reflective blog can also help you to discover your inner author and develop the mindfulness necessary to produce a successful memoir.

In participating in the Bootcamp, I became aware of a number of options that I have for advancing my own writing. One is a teaching memoir based on my varied life experiences as a contemplative monk, academic, consultant, manager, father and writer. The other is a form of prescriptive non-fiction focused on my action learning experiences. With the former, the teaching memoir, I need to do considerably more research to fill in the gaps in my life history and decide a particular focus or theme to write about (I view this as an iterative process). The prescriptive non-fiction option is something that I can start immediately because I have already completed the requisite “resonance and development” having conducted numerous workshops with my audience over more than a decade, undertaken PhD studies in the area, conducted participative presentations, written book chapters and articles on the topic and used this blog as a form of reflective journal. Reid and Kelly maintain that these kinds of activities along with the use of social media provide a “platform” for your book launch.

As I grow in mindfulness by adopting different mindfulness practices, I look forward to gaining greater self-awareness, consolidating my message (in both genres) and developing my concentration and writing processes. At the moment, I am exploring self-publishing options through the resources and guidance provided by Kelly’s KN Literary Arts and Balboa Press (a division of Hay House).

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Image by Anna from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

Our Friend Kay: A Life of Openness and Curiosity

Recently we lost a long-standing friend with the death of Kay Dickie on 3 August 2023. My wife and I have known Kay for forty years – from both a work and a personal perspective. Her career was interlaced with both our work lives during her many interludes in the world of work. More recently, Kay has shared her love of music with us in the wonderful setting of Stradbroke Island. Her life was lived with a mindful curiosity that manifested her inquisitee mind and her deep appreciation of everything in life – life’s mysteries, nature, her friends and beloved dog, .

Exploring the world of work with Kay

I first met Kay when she was Equal Employment Opportunity (EEO) Coordinator in the Federal Department of Social Security and I was Director, Corporate Services reporting to the State Director. One particular case of sexual harassment stands out in my mind because it illustrates Kay’s commitment, compassion and dogged perseverance. She had been blocked by multiple levels of management when trying to investigate what proved to be a serious case of sexual harassment. Kay, through my agency, was able to act to unearth the issue, circumvent the power politics and prevent the harassment from continuing.

Kay’s inquisitive mind was not easily fobbed off by managerial intransigence – it only encouraged her to explore deeper and exhaust all avenues for a resolution. My current consulting colleague, Julie Cork, who was EEO Director at the Commonwealth Public Service Board in Brisbane at the time, commented that Kay had a profound understanding of the EEO Coordinator role and was able to articulate it clearly within her Department and in the broader Coordinator network.

Kay was a strong advocate of action learning and in her work and personal life she epitomised supportive challenge and asking fresh questions as encouraged by Reg Revans, the Father of Action Learning. From 1991 – 1994, Kay was the Project Manager for the University of Queensland Action Learning Program (ALP) which was judged Best Practice by the Committee for Quality Assurance in Higher Education. Kay and I wrote a report on the first two years of the Program which was published by the Tertiary Education Institute at the University of Queensland in 1993.

I was External Consultant and Mentor for the Program Team in the first five years of the ALP Program which eventually ran for 9 years. The program – its philosophy, processes and outcomes – was the subject of my PhD published in 1996, Action Learning for Professional and Organisation Development: An Action Research Case Study in Higher Education. The PALS Model developed as part of my PhD research was published in an article I wrote for The Learning Organisation Journal 2002, Creating innovation and synergy through a parallel action learning structure.

Kay was also Project Manager for the 1995 National Research Project, Action Learning in Vocational Education and Training. The project involved 9 researchers, including myself, and produced four major reports which became the foundation documentation for the nationally accredited Certificate 4 in Change Management – Action learning. As part of the project, Kay and I undertook a series of interviews of managers who had introduced action learning into their organisations. This research included an interview with the CEO of Kinney Shoes (Australia) that had nearly 500 stores throughout Australia. Kay and I collaborated with a number of other researchers on the project to produce Volume 3: Applied Principles for the national project. This volume incorporated cases studies developed through our interviews.

Curiosity about energy and consciousness

Kay was a prime mover in organising the ALAR National Conference in 1996, Energy Switch: the possibilities offered by action learning, action research, and process oriented methods. Dr. Bert Cunnington provided the plenary presentation on the topic, All you need is love: the loving, learning organisation. Bert maintained that organisations needed to move from “the negative energy of fear, doubt, and competition” to the “positive energy of love, faith, collaboration and creativity.” Bert referred to the research that highlighted the high incidence of illness and the related job dissatisfaction in organisations. He contended that the solution to dealing with the stresses of current organisational life lay in the 4 C’s – challenge, commitment, control and connection. The emphasis here is on stimulation through challenge, commitment to meaningful work, individual self-efficacy and agency and connection through social support (within and outside work and family). Bert’s presentation is documented in the ALAR Journal under the title, Dedication- to Dr. Bert Cunnington (Vol 2 No 2 – pages 3-17).

Kay was fascinated by consciousness and the relevant insights from quantum physics and frequently referred to energy as a key element of life. She cited Albert Einstein’s perspective, “What we call matter is energy, whose vibration has been so lowered as to be perceptible to the senses”. Einstein’s perception that “everything is energy” that can only be changed, not destroyed, opened up Kay’s horizon on consciousness and spirituality. She agreed with Einstein’s statement, “We still do not know one thousandth of one percent of what nature has revealed to us”. Kay reflected what Einstein said of himself, “I’m passionately curious”. On her 76^th birthday, three months before she died, Kay reflected, “the older I get, seeking is the only game in town”.

Reflection

Kay began exploring quantum physics and energy when she was undertaking a Masters Degree. Like Margaret Wheatley she was keen to learn what quantum physics meant for organisations and her own personal life. Margaret explored the writers in the area in her ground-breaking 1992 book, Leadership and the New Science: Learning about Organizations from an Orderly Universe. Margaret’s quest and challenging questions, mirrored Kay’s search for understanding.

Cliff Bunning, Kay’s supervisor, explored in depth how quantum physics relates to developing our spiritual life. In his 2011 book, The Direct Path to Self-Realisation and Beyond, he maintained that “all feelings good and bad are basically the same energy…flowing in the opposite direction”. He suggests that positive energy can be generated by expressing gratitude, being forgiving, giving positive vibes, having a pet, feeding your mind with positive information, connecting with nature regularly and “following your heart”.

Global leadership coach and biophysicist, Ginny Whitelaw, contends that leadership in organisations is about resonance. In her book, Resonate: Zen and the Way of Making a Difference, she maintains that the role of a leader is that of an “energy concentrator”, achieving “synchronous vibration” with followers through listening, mindfulness practices such as Tai Chi, connecting with the energy of nature and accessing our positive energy force through deep breathing.

Kay exhibited positive energy derived from her deep love of nature, her extended social network, and her positive outlook on life. She drew energy from everything around her and especially the waters and trees of Stradbroke Island. She once commented, “I need to be near water, otherwise I shrivel up”. Her life was a simple life that made a difference in the lives of the people she interacted with.

Diana Winston, Director of Mindfulness Education at UCLA’s Mindful Awareness Research Center (MARC), defines mindfulness as paying attention to our present moment experiences with openness and curiosity and a willingness to be with what is. Kay epitomised mindful living. As we grow in mindfulness through our own connection with nature and all that is positive in our lives, we can also make a real difference through the positive energy and vibration that we emit.

While composing this blog post, I came across a song, Curiosity Abounds, by Modus Operandi. Their instrumental album that this song is drawn from, Organic Exploratorium, involves “Discovery backdrops and positive soundtracks filled with the promises of education, research, the future”. The album includes other songs like Curiosity in Planets, Inquisitive Minds, Reality Beckons, Explore the Unknown, Another Day to Explore – all of which resonate strongly with Kay’s outlook on life.

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Image by Sven Lachmann from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

Deep Listening: A Lost Managerial Art

Managers report that many things act as barriers preventing them from listening effectively in the workplace. Distractions from external sources such as endless emails, busyness at work, noise from “open office environments” and time pressures, are high on the list as impediments. Managers also identify what can be described as internal barriers to listening – preconceptions about an individual staff member, assumptions about what the individual wants to talk about, anxiety when the speaker is sharing difficult emotions, and absorption with their own personal issues. Managers report, too, that they tend to try to solve problems before they really know what the employee’s problem is, interrupt people to tell their own stories and have difficulty maintaining their focus on a speaker when they are perceived to be “rambling on”.

Added to these difficulties experienced by managers is what Johann Hari describes as our “lost focus” – an ongoing decline in our ability to pay attention for any length of time because of the “fire hose” of information flooding our minds through emails, social media and news broadcasts. In his book, Stolen Focus: Why You Can’t Pay Attention, he highlights our inability to stay-on-topic, be truly present and achieve flow. Research shows that our attention span is diminishing rapidly, making it all the more difficult for managers to engage in “deep listening”. In a recent podcast, Gloria Monk PhD drew on this research to explain “Why our attention spans are shrinking”.

The essence of deep listening

Joan Halifax, in her book, Standing at the Edge, describes deep listening as truly listening in the present moment with openness and curiosity. She explains that this requires us “to step out of self-absorption, self-deception, distractions” and move away “from the trance of our technological devices”. Joan maintains that deep listening involves “really hearing” someone else by listening “with body, heart, and mind”. In her words, it also involves being able to “listen past the filters of our personal history and our memories” – it involves self-lessness. Too often, we have to tell our stories to legitimate ourselves in the eyes of the other person.

Larissa Behrendt, in her novel After Story, has one of her characters describe deep listening as “listening with respect” – not trying to hurry the other person to finish, paying full attention without interrupting the speaker. She reinforces the need to be “ready to listen” – “to prepare the space and listen” so that you can take in the wisdom of the speaker and the story they have to tell. Larissa, Distinguished Professor of Indigenous Studies and Research at UTS, maintains that deep listening has its origins in the ancient cultural ways known as Winanga-Li, where “the silences are as powerful as the words”.

Deep listening for Richard Wolf, author of In Tune: Music as a Bridge to Mindfulness, occurs when we “not only hear music but feel it”. This involves feeling the music “with your body and soul”. For Richard, music can help the listener/musician overcome internal barriers to listening by “filtering out” distorting elements such as biases, prejudices, blind-spots and false assumptions.

Benefits of deep listening

There are many benefits from deep listening that accrue to the listener as well as the person being listened to. I have summarised some of the key benefits that are identified in literature that I have been reading lately:

Facilitating the healing power of storytelling: deep listening enables a person to share their story of pain, suffering and trauma. Annie Brewster details the way this can happen in her book, The Healing Power of Storytelling: Using Personal Narrative to Navigate Illness, Trauma and Loss. It is because of the healing power of storytelling that Annie has established the Health Story Collaborative. Jana Pittman, in her biography Enough: accept yourself just the way you are, highlights the destructive impact of keeping painful things bottled up – you can lose yourself. As someone who has experienced deep pain and suffering – through three miscarriages, a marriage breakdown, media taunting and bullying, “a cervical cancer scare”, multiple injuries destroying her Olympic Dream, battling with financial difficulties and an eating disorder – Jana can readily attest to the healing power that facing her pain and sharing her story has provided her. She maintains that running away from pain can be a “heavy burden” because “bottling it up” is like “carrying it round like a ball and chain”. By facing her pain, embracing it and sharing it, she has found a new release to achieve even greater goals; the alternative, avoidance strategy, “leaves you with a whole lot of defensive walls and only a short ladder”. Larissa Behrendt, in her After Story novel, has one of her characters comment that there is “strength in saying things” because “it’s like a curtain being lifted”.
Achieving resonance: `Ginny Whitelaw, innovator in leadership development, contends that leadership is about achieving resonance with followers, and that it is through listening that leaders capture the energy of followers and thus focus and amplify the collective energy of a team. She explains her underlying principles, and supporting neuroscience, in her book, Resonate: Zen and the Way of Making a Difference. Deep listening for Ginny involves getting on the “same wavelength”, instead of “talking past” the other person. This means, in effect, that energy vibrations of the leader and follower become aligned and therefore amplified. The sensitivity involved in such deep listening changes the listener and enables healing of the storyteller.
Developing empathy: Joan Halifax contends that deep listening develops empathy, motivates compassionate action and obviates self-absorption. She provides examples of deep listening in her book, Standing at the Edge, while recognising that empathy is an “Edge State” – that can lead to significant personal and social contributions, but potentially lead to “empathic distress”. This latter downside of deep listening and the attendant empathic feelings can arise where a person is unable to separate themselves from the sufferer – they effectively “own” the other’s suffering. In her book, Joan describes situations where she has experienced empathic distress, however momentarily, and offers ways to overcome this other-absorption, including her G.R.A.C.E. technique.

Ways to develop deep listening

There are multiple ways to develop deep listening and, like any art, “practise makes perfect”. However, we each have our personal and historical impediments to achieving deep listening at any point in time. Actively working to cultivate deep listening can be very beneficial for ourselves and others we interact with on a daily basis. Several authors suggest different ways to develop deep listening (apart from consciously practising it in the present moment):

Sounds as an anchor in meditation: meditation often involves choosing an anchor that can enable us to re-focus once we experience distractions during meditation. While our breath is often used as an anchor, sounds can be an alternative. Richard Wolf suggests that focusing in on the sounds of our breath along with the gap between breaths, can effectively cultivate deep listening. We can also tune into our environment, including what he describes as the “room tone”. Richard also encourages the development of “dual awareness” where we not only focus on the sounds of our breath but also become consciously aware of our associated bodily sensations.
Music to quiet the “inner voice”: Richard maintains that playing a musical instrument or listening to music can cultivate deep listening because of the sustained concentration required. You are effectively training yourself to tune into the music (by fully attending to the sounds) and experiencing the music emotionally and bodily. Richard argues that the concentration required quiets the self-critical inner voice and prevents contamination by our “cognitive limitations”. He contends that music enables us to achieve an alignment of mind, body and emotion. Richard suggests that playing an instrument for others not only develops deep listening for the musician but also provides a “stunning variety of sonic, emotional and musical elements” for a discerning audience – a catalyst for deep listening on their part. One can readily picture a young child dancing in a totally uninhibited way to music played by a street performer who is totally absorbed in his or her art.
Tuning into nature: nature provides silence and unique sounds that enable us to experience our interconnectedness to everything, including people who are attempting to gain a “hearing”. Gordon Hempton reminds us that silence in nature does not mean the absence of sounds but “an acoustic state, free of intrusions of modern, man-made noise”. Gordon has recorded his journey as an activist for nature’s “silence” in his book, One Square Inch of Silence: One Man’s Quest to Preserve Quiet. Through his work as a sound recordist and an acoustic ecologist, he has encouraged people to heighten their auditory awareness of the unique “soundtracks” that surround us in nature and to observe “the quiet between the notes” (so that we can better appreciate the value of silence and stillness). Gordon’s crusade for silence and listening to nature is mirrored in the work of Christine Jackman, author of Turning Down the Noise: The Quiet Power of Silence in a Busy World. In a chapter on nature, she highlights the healing power of nature and the need to tune into nature to reduce our “emotional inflammation” and regain our capacity to be quiet and listen. Like Gordon, she contends that when we listen to nature “our listening horizon extends”. Polar photographer, Camille Seaman, maintains that spending time in the stillness and silence of nature “dissolves the veil of separateness” and increases our understanding of, and respect for, our connectedness.
Adopting a “not Knowing” mindset: Joan Halifax recommends cultivating a “beginner’s mind” – the stance of “not knowing”. She maintains that we can never really know and understand the complex mix of emotions another person is experiencing, or the precursor events at different points in their life, or the unique interplay of triggers that were the catalyst for their current psychosomatic state. This perspective accords with the advice of Frank Ostaseski to cultivate a don’t know mind. Robert Wilder discusses the challenges and benefits of living a “not knowing” life in his podcast, The Not-Know-It-All: The Struggle of Not Knowing.
Reflective practice: reflection on our communication experiences can help us to gain insight into the barriers we put in the way of deep listening. If we are honest in our reflections, we can improve our awareness of our habituated behaviours (such as interrupting others) that act as blockages to our deep listening. I have posted a sample of questions for reflection on personal interactions in a previous post.

Reflection

As we grow in mindfulness by spending time observing and listening in nature, reflecting on our interactions, meditating on internal and external sounds and undertaking other mindfulness practices, we can gain awareness of our personal impediments to developing the art of deep listening. For me, some of these impediments are a tendency to deflect the conversation when emotions become intense (on either side of the conversation), to divert the conversation to my own story or to demonstrate knowledge and experience to prop up my sense of self-worth or external credibility.

A further reflection (25 August 2023)

Reflecting on my behaviour when interrupting somenone’s conversation, I realise that sometimes I come from an “I know” position, not a “don’t know” perspective. I feel I have to explain that I have experienced (directly or indirectly) what they are talking about, read about it or heard someone else talking about it. The net effect is that I don’t reflect back the communicated emotions and divert the conversation onto my issue and away from challenging emotions. I wonder whether this habituated behaviour has resulted from my academic background (the need to be seen to know).

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Image by Monika Iris from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

From Inward to Outward: Creating and Realizing a New Order

In a number of forums, Ginny Whitelaw, author of Resonate: Zen and the Way of Making a Difference, expressed concern about society today and the global (dis)order. She attributes much of what is happening to an “extractive mindset” – extracting earth’s resources, taking for oneself at others’ expense, wasting needlessly, endangering the planet with pollution and failing to restore the endless damage that is occurring through relentless consumption. She suggests that underpinning this extraction mindset is acquisitiveness – greed driving the need to have more (money, food, status, power, influence, and/or land). Businesses extract resources from developing countries and do not replenish them while, at the same time, exploiting cheap local labour. There is an increasing desire for larger houses (with more in-built facilities) and cars with more room and power. People have lost the art of “knowing what enough is”. Facebook and other social media feed off and reinforce these acquisitive desires by rewarding the number of followers/likes you have and making you feel bad if you are not an “influencer’.

In her presentation as part of the Masters Series of EVO Sports Collective, Ginny addressed these issues and spoke of them as the “crucial work of our time”. She argued that these destructive trends have arisen because we have “dual consciousness” – separating mind from body and ourselves from others. Associated with this is the disconnection from nature and the failure to understand and appreciate our connectedness to everything and everyone.

Seeing ourselves as separate from nature and others, and viewing our mind as separate from our body (contrary to the experience of trauma), leads to a dualistic mindset that contributes to the disassociation and destruction of the current social order. Ginny argues that we need to “feel the earth and sense the waves” to restore our balance through renewing our relationship with nature. This sense of oneness with nature is cogently and emotively expressed by Lulu & Mischka in the video of their mantra meditation, Stillness in Motion.

A way forward to creating and realising a new social order

In her EVO presentation, Ginny argued that the adoption of non-dual consciousness and Perma-leadership represent the way forward to a sustainable social order. Connection with nature and its healing power can be one way to develop a non-dual consciousness and contribute to self-care in these uncertain and challenging times. Mindfulness practices such as loving-kindness meditation and reflection on our emotions (e.g. resentment) can build the sense of connectedness with others and heighten our empathy and compassion.

Ginny reinforces the view that effective leadership and change works from the inside out – from changing our energetic pattern to impact the world around us from a different “place of connection”. She refers to Kevin Cashman’s book, Leadership from the Inside Out, as a point of reference. Kevin, drawing on neuroscience research and the characteristics of high performing teams, points to the need for leaders to strengthen their awareness, be authentic, enhance their courage, build character, develop agility and make a contribution through service of others in pursuit of a life purpose that demonstrates their authenticity.

Ginny suggests that we need to “re-think, re-look and re-invent” to create the future we want – one that optimises outcomes for everyone, rather than maximises wealth for a few. To do this we have to become re-connected to nature, to our bodies and to others so that we can operate from a stable place, being grounded, and sure of who we are. People of like minds can create a “tipping point” – the Pandemic of Love, initiated by Shelly Tygielski, is an example of this. Ginny encourages us to “insert ourselves in what is going on” – just as Shelly Tygielski did from a rich lode of inner work and exploration of her inner landscape. As we develop new energetic levels through inner integration and alignment, we are able to act on the world in an authentic way and make a contribution that aligns with our life purpose. Ginny is a great believer in resonance as demonstrated in her Resonate book and the exercises she provides within it to help us centre our energy.

Perma-leadership as a way to engage

Ginny explains that the concept of Perma-leadership is based on the principles of permaculture – caring for people, the planet and the future. It develops from a deep mind-body connection and profound connection to others where, in line with indigenous wisdom, we recognise ourself in the other and the other in ourself (no separateness or duality). Perma-leadership is an iterative process involving both feed-forward and feedback – where an earlier step is repeated in the light of new insight. Ginny illustrates the stages in the cycle (from both individual and collective viewpoints) in a Forbes article titled, What Globalization Taught Leaders and What They Need to Learn Now.

The four steps in the iterative Perma-leadership cycle are:

Connect and Remember – initially it may involve remembering something in nature that one loves and reconnecting with it, e.g. by becoming lost in its beauty, sounds or touch. This oneness with nature can build into oneness with others – feeling connected to others, not separate from them. Mind-body connection and connection to others deepen over time and provides the impetus for turning practice into action. Practices such as hara (lower abdomen) breathing and the music of chakras breathing can help to achieve this immersion and sense of connectedness. The latter process involving the chakras can be enhanced by employing three levels of activity for each chakra – (1) as you tone the sound for the chakra envisage the sound and breath reaching into the chakra, (2) expand the sound and breath out to the whole world and (3) tap into the depth of emotion experienced within the chakra (as illustrated in Ginny’s EVO Masters Series presentation at 1.20 – note access to this series and other resources are free for people who register with the EVO Sports Collective).
Shift and Reimagine – here the focus is on a challenge, project or purpose that one wants to act on in a different way from what has been happening to date. It involves shifting our perspective on the endeavour and re-imagining it in the light of the permaculture principles mentioned above – caring for people, the planet and the future. It means working from a deep sense of connectedness and shifting our perspective and action to align with a desired future rather a depleted past. It may involve exploring “the ripple effect of your life” and choosing to change the effect you have.
Energize and Inspire – this may involve developing a self-care plan incorporating wellness strategies to enhance our energy and using the resultant energy to show up for community care. We can seek inspiration from people like Shelly and energize ourselves by completing her online course, The Power of Showing Up (which I am pursuing at the moment). Part of this process is overcoming the self-messages such as “I am not good enough, know enough or skilled enough”. If we pursue our purpose with energy and authenticity we will create resonance in others and inspire them to participate and contribute from their own centredness (just as Shelly did with the Pandemic of Love).
Create and Realize – this involves converting intention into action and manifests “attuned human beings, listening, adapting” to realize the future in the present. This requires having the insight to perceive present opportunities for personal contribution and building personal resilience and concerted action one step at a time in line with Permaculture Principles. The cyclic action involved in Perma-leadership also resonates with the principles of action learning.

Reflection

Ginny throws out a challenge to us to create and realize a new order, one intervention at a time – within our resources and in line with present opportunities. As we grow in mindfulness through mindful breathing and other mindfulness practices, we can gain the necessary insight, courage and resilience to make a contribution to realizing a better world within our local community and/or on a broader scale (through inspiring others and creating a “tipping point”).

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By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group, and the resources to support the blog.

Widening Awareness Through Meditation and Singing Bowls

Diana Winston introduced the use of singing bowls in meditation when she provided a guided meditation podcast with Master Tibetan musicians Michael and Jahna Perricone. Diana called her celebration with singing bowls Glimpses of Being and provided a way of developing “varying awareness” by moving from a narrow focus to a very wide focus of attention. She maintained that the singing bowls are conducive to meditation and can take us deeper into the meditative state.

Guided meditation to widen awareness

Diana begins her guided meditation by encouraging us to take deep breaths and employ the out-breath as a form of release from any tension spots in the body. She suggests that, besides grounding ourselves in our body (through deep breaths and sensing the groundedness of our feet), we consciously focus on our intention for the meditation – thus grounding both body and mind.

The next step involved mindful breathing – being aware of how our breathing affects our body. We can focus on where in our body we most experience our breath – through our nose, the undulations of our chest, or the in and out movement of our abdomen. Once we are grounded in the bodily sensation of breathing, we can then focus on the breath itself and its pattern – slow/fast, deep/shallow, heavy/light – without trying to control it.

The third stage of the meditation involved tuning into the Tibetan singing bowls and allowing the vibrations to penetrate our body. With practice we can align our bodily resonance to that of the singing bowls. Diana forewarns us that music and singing can unearth a wide range of emotions both positive and challenging. These emotions can range from elation, relief or joy to sadness, grief or anger. Being with the emotions without being overcome by them is a key to gaining equanimity. Denial leads to submerging and intensifying emotions while acceptance and openness lead to release and freedom. Diana maintains that it is important to experience the emotion as it is at the moment.

In the final stages of the guided meditation, Diana uses nature imagery to help us widen our awareness. She suggests that we look at the sky (or imagine it) and notice its openness and expansiveness. We can imagine the clouds passing by – sometimes light and fluffy and, at other times, wild and stormy. Diana encourages us to “rest in awareness” – to take in the expansiveness and unboundedness of the sky and the sounds emitted by the singing bowls and the accompanying Tibetan singing provided by Jahna Perricone. Diana maintains that despite the turbulence of the surface, beneath the waves lies stillness and silence – an analogy for our capacity to find refuge from troubling events through meditation and to build our resilience. Tina Turner, through her chanting, demonstrated the power of music and meditation to overcome personal adversity, develop resilience and experience happiness.

Reflection

Michael and Jahna Perricone describe their workshops as “sound baths” where Michael’s playing of the Tibetan bowls is accompanied by Jahna’s singing of Tibetan songs. I remember experiencing a sound bath when I participated in a singing residential retreat with Chris James. We had been formed into pods and members of each pod began toning over a volunteer participant lying on the floor, effectively soaking them in directed sound. The experience is very profound and moving – not only the sense of the loving kindness being extended towards you but also the resonance achieved in your body as the reverberations of the chanting flow over and through you. This is a special experience and it would be even more enhanced with singing accompanied by the skilful playing of Tibetan music bowls.

As we grow in mindfulness through meditation and tapping into the resonance of music, singing bowls, Tibetan singing or chanting, we can access the stillness and silence within – a source of resilience, insight, courage and happiness. Once we have discovered our own inner depths and expansiveness, we can revisit it at any time.

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By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group, and the resources to support the blog.

Turning Your Life Around – a Buddhist Perspective

In her book Happiness Becomes You: A Guide to Changing Your Life for Good, Tina Turner identifies a number of ways to achieve our full potential and realise happiness in our lives. In a previous post I discussed how she chanted the Nam-Myoho-Renge-Kyo mantra as a way to tap into her fundamental Buddha nature which releases “limitless courage, wisdom and compassion” to overcome any obstacle or challenge in life. However, along the way she encountered the pull down to a lower life condition created by negative self-stories.

Tina experienced negative self-talk that saw her as not beautiful, not talented, or too fat. These messages were reinforced by her interpretation of her mother’s behaviour – her neglect and desertion as well as her preferential treatment of her sister. We can each develop specific negative self-talk through our experiences of the words and behaviour of our parents, our “friends”, classmates, teachers, or the community generally.

When we entertain these thoughts, they begin to have a life of their own and can be a powerful pull away from the realisation of our potential and our happiness. The strength of these negative thoughts, as in Tina’s case, can be reinforced by the press and/or social media which can be particularly unkind, hurtful, and damaging to self-esteem.

Overcoming the negative self-talk

Tina’s Buddhist beliefs enabled her to see the good in everyone, including herself – to understand the inherent Buddha nature of everyone. This strong belief in the core value and worth of everyone, which can have its origins in any philosophy or religion, can be a strong antidote to negative self-talk.

A key strategy that Tina employed and that is advocated by mindfulness experts such as Jon Kabat-Zin is to assert that “we are not our thoughts” – that we are much more than our limiting self-talk. This recognition and constant affirmation are powerful ways to break free from the holds of negative self-perception.

Tina reaffirms the positive energy and self-talk that is generated by chanting the powerful Nam-Myoho-Renge-Kyo mantra or other forms of mantra singing. The vibrational energy and resultant healing in mantra singing are confirmed by neuroscientists. Tina maintains that we can each have our own preferred way of tapping into positive energy whether that be singing, listening to music, observing nature, walking or exercising. The important process is to find a way to replace the disabling energy of negative self-talk with the powerful energy of whatever stimulates positive energy and resonance for us.

Reframing our difficulties and challenges

Despite our best efforts to generate positive energy, we can be thrown off balance by life-changing difficulties or challenges such as illnesses, loss of a job, death in the family, deterioration of another family member or other forms of emotional overload. Workload and the challenges of being a carer can add to the tendency to lose our balance and develop negativity.

Tina draws on the work of Nichiren and his restatement of the Buddhist concept of “changing poison into medicine” – turning challenges and setbacks as opportunities for learning and to grow stronger, enhancing our “courage, wisdom and compassion”. When she was about to perform after a night of celebrating the close of a very successful music tour, she was low in energy and high in reticence but found the strength to do her chanting and remind herself that hidden treasures lie in life’s challenges. She went on stage to conduct a highly successful event. She did not let old habits and negative self-talk destroy her positive energy but overcame them through chanting and waking up to the beauty in her life, including the pleasure on people’s faces when they heard her sing.

Reflection

Tina presents a positive approach to dealing with negative self-talk and life’s challenges and setbacks and demonstrates in her own life how to turn your life around, develop resilience and achieve sustainable happiness. There is a general consensus that chanting mindfully is itself a form of meditation that can enhance our capacity to be present in the moment, enrich our inner landscape and increase our inner strength. As we grow in mindfulness, we can experience the ease of wellness, the energy of connectedness and the insight to pursue out life’s purpose and passion.

Tina’s book is enlightening, engaging and enriching. It’s readability and attractiveness is created by her rich story-telling, her openness and her vulnerability.

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By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group and the resources to support the blog.

Mindfulness and Creativity in Our Life’s Work

In a recent presentation for The Contemplative Care Summit, Seth Godin spoke about, Mindfulness & Creativity at Work. He stressed the importance of being mindful about self-talk and taking intentional action if we are to be creative in our life’s work. Seth writes a daily post for his creative blog which he has been writing for more than a decade. He is the author of 20 world-wide best-selling books such as The Practice which is about creative work. He is also the initiator of many creative projects. You can find his videos on YouTube, including his five TED Talks.

Self-talk: a barrier to creativity

Seth has previously written about what he calls “the lizard brain” – the amygdala, the part of the brain driven by fear. He maintains that this is behind our negative self-talk and can be disabling if we let it control our thoughts. He challenges the myth of “writer’s block” and suggests that it is a blockage in our thinking created by our fear and perpetuated by self-stories. He suggests, like one of my early mentors, that a way forward is to write, write, write. Eventually, our not-so-good writing becomes good and then great – especially if we have a constructive, critical friend who is commenting on our writing out of understanding, comprehension, and good will, not out of ignorance or inanity.

Creative people such as Elizabeth Gilbert, author of Eat, Pray, Love, speak extensively about how fear and self-talk can block our creative genius. Clare Bowditch – singer, songwriter, and author of Your Own Kind of Girl – describes in detail (in this autobiography), the power and pervasiveness of our inner critic. Worrying about whether our creation, our work, our project, our song/performance or our presentation will be “good enough” sets in train a series of self-stories that can lead to procrastination. Tara Brach offers the R.A.I.N. meditation – incorporating the steps of recognise, accept, investigate and nurture – as a compassionate way to deal with our self-generated critic.

Seth talks extensively about a specific fear, the “fear of failure”. We tend to catastrophize the outcomes if something “goes wrong” or “does not work out”. He points out, however, that we do not have control over the outcomes and focusing solely on them leads to inertia and stifling of creative endeavour. Seth maintains that “failure” and creativity go hand-in-hand and he talks about his many failures. He argues that if you are doing something that you have never done before or that has not been done by anyone else, then the chances of failure are always present – this uncertainty about outcomes defines the essence of creativity and we capture this in our language, “going out on a limb”, “going outside our comfort zone”, “leaping into the unknown” or “exploring new terrain”.

Seth suggests that we need to stay in the present moment and enjoy the process of creating something new – of bringing our creation into the world for the benefit of others. Focusing on process in a mindful way creates freedom from fear, space to explore and openness to new ideas. He also argues that we can overcome the nagging concern that we are an “imposter” (posing as a good writer, performer or facilitator) by accepting that you will act as an imposter if you are being creative – you are taking action with uncertain outcomes, you cannot guarantee success, and you are hoping that it will “turn our well” without any “iron-clad guarantee” that it will do so.

Intentional action

Intention provides the impetus to initiate and sustain creative action. Diana Winston offers a meditation process to help us to bring mindfulness to our motivations and intentions so that we can achieve clarity of purpose, align our energy and strengthen our motivation in the face of obstacles. Leo Babauta offers a three-step process, incorporating clarifying intentions, that we can use to start doing the meaningful work that we have been avoiding. He also offers a daily practice to overcome the avoidance that we experience when confronted with difficult tasks.

Ricardo Semler, entrepreneur and author provides a more fundamental approach to access our underlying intentions. He suggests that we ask our selves “why” three times to get to the fundamental question, “What am I doing this for?” Unfortunately, our busyness becomes the greatest impediment to accessing our creativity and opening our selves to wisdom, clarity, and fulfillment. Taking time to be still and revisit our intentions can enable us to achieve alignment with our overall life purpose and access the resonance that this alignment brings. We can then begin to experience inspiration and intuition – the seeds of creativity.

Reflection

To fully access our creativity, we need to be aware of our negative self-stories, our fear of failure, and our imposter concerns. By not facing up to the self-critic and the “lizard brain”, we can numb ourselves into inaction and procrastination. As we grow in mindfulness, through meditation, reflection, and reframing, we can increase our self-awareness, develop self-compassion to deal with our negative thoughts and bring intention and alignment to our creative actions. The stillness and silence of mindfulness meditation acts an “incubator” for creativity and innovation.

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By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group and the resources to support the blog.

Developing Inner Silence through Sound Meditations and Music

Christine Jackman describes silence as the space in which one was “free to breathe and simply be”. It is a space without speaking or being spoken to. In the context of mindfulness, silence does not mean the absence of sound, just the absence of unwanted inner and outer noise – freedom from the noise pollution of our minds and of a busy world. It is a refuge – a place of retreat from inner chatter and outer noise. In stillness and silence, we can find inner peace and tranquility.

Sound and mindfulness

Many mindfulness practices involve being still and listening to sounds, either the room tone or external sounds from wind, rain, birds, or other sounds. The aim of these practices is to maintain focus on sound and keep our minds free from other distractions. Sound meditations can strengthen our concentration and listening skills and contribute to our overall well-being. Sound can also be provided as an anchor for people involved in trauma-sensitive mindfulness.

What we are aiming to achieve in sound-based mindfulness practices is an inner silence and harmony – turning off self-stories, negative thoughts, interpretations, or projections. Basically, it involves tuning out of the inner dialogue by tuning into sound. We strengthen our awareness muscle when we are able to return to our inner silence and focus whenever distracting thoughts occur.

Music as a pathway to inner silence

Christine Jackman, in her book Turning Down the Noise, describes her search for “the quiet power of silence” in her busy world. She found inner silence in a number of places, including while participating in Vespers in a Benedictine Monastery – an evening prayer that is recited or sung.

Another form of ecclesiastical music, Gregorian Chant, has developed over many years by monastic orders dedicated to prayer and silence as a way to develop inner silence – the focus on singing meaningful phrases to the sound of monotonal music serves to shut out distractions and build inner peace and harmony.

Mantra meditations often employ a musical instrument (e.g., a drum or guitar) together with chanting long-established phrases that evoke positive emotions such as peace, harmony, relationships, or connectedness to nature or a higher being. Repetition of the lyrics enables a deeper penetration into the meaning of the words that are sung mindfully and facilitates a deepening inner silence and tranquility.

The silence between the notes

Richard Wolf, author of In Tune: Music as the Bridge to Mindfulness, identified what he called “12 bridges to mindfulness” created by music. These include deep listening and “sympathetic vibrations”. Richard argues that music is a key to inner silence, one of the bridges to mindfulness. He makes the point that silence is embedded in music – music notations for the duration of a note are matched by “an equal notation for the duration of silence” between the notes. He mentions Miles Davis’ emphasis on the “connection between the role of silence in music and in life”.

Some music composers pay particular attention to silence within their compositions. Richard refers, for example, to the work of John Cage and his important piece of music, 4’33”, in which the pianist begins by not playing but sitting still for 4 minutes 33 seconds as a way of “drawing the audience’s attention to the process of listening itself”. This engenders a particular form of participation whereby the audience through their silence become part of the performance.

Reflection

This blog post was stimulated by a conversation I had with a musician friend of mine who played the guitar professionally, both as an individual and as a member of a band. We had been discussing music and mindfulness when he mentioned a story about how he had become distracted during a performance. He was playing guitar with his group on a footpath outside a building when a car pulled up and two men hopped out of the car and headed towards the musicians. My friend immediately began to think, “Are they going to disturb us?” or “Are they interested in the music?”

As he thought about the possibilities, he became mentally distracted, lost his place in the music, and played some wrong notes. Up until the distraction, his band was exhibiting some of the characteristics identified by Richard Wolf as bridges to mindfulness , e.g., concentration, harmony, and sympathetic vibration. However, as a result of regular music practice, my friend was able to restore his focus and catch up with the music and his other band members very quickly.

The positive influence between mindfulness and music is bi-directional – it operates in both directions. As we grow in mindfulness, our capacity to play music, sing and listen deeply, develops; as we play music, practise playing and sing, we can grow in mindfulness because music can provide the bridge to inner silence. Mindfulness practice and music practice both build our power of concentration, our awareness muscle, our ability to achieve resonance with others, and our overall well-being. Richard highlights the positive impact of inner silence on our relationships when he writes, The ability to silence the inner voice creates the conditions for truly hearing the voices of others.

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By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group and the resources to support the blog.

Sound as a Source of Resonance and Well-Being

In a previous post, I discussed Ginny Whitelaw’s new book, Resonate, and focused on how meditation can help us to develop resonance. Now, I want to look at the role of sound in developing resonance and well-being. We previously explored the concept of resonance as “vibrating with” and sound is undoubtedly a source of energy vibrations.

Singing as a source of resonance

Chris James, well-known recording artist and international singing teacher, maintains that our bodies are natural resonators. He teaches people to relax and breathe to free up their voice and let their natural sound and resonance emerge. In his view, everyone has a beautiful voice – if only we will release our voice by not being uptight about singing. When you let your voice open up through singing, emotion is released, often emotions that you are not consciously aware of.

In Chris’ words, through singing and chanting, you are able to find your “true voice” and “speak your truth” – this is achieved through aligning body and mind, voice and heart. Chris enables people to “speak and sing with presence, power and authority” – to use their body as a natural resonator, unencumbered by negative thoughts and emotions.

Chris contends that “the way we listen and communicate” can transform our interactions and relationships both at work and at home. Deep listening itself is a form of resonance as it involves “being on the same wavelength” as the speaker. As we develop our voice through singing and chanting, we can find our “true expression” – full-body singing and speaking.

When we sing together with others, we are able to “tune up” our body, heart and mind and achieve a natural resonance. Even in times of pain and uncertainty brought on by the COVID19 pandemic, singing together can help us to achieve resonance (vibrating with others), lift our spirits and strengthen our resilience in the face of unprecedented challenges – the NYC Virtual Choir and Orchestra demonstrated this in their rendition of How Can I Keep from Singing and the virtual choir/orchestra of 300 people drawn from 13 countries reminds us that You’ll Never Walk Alone.

Resonance and well-being through sound

Research has shown the power of sound therapy to heal and generate well-being in the form of relaxation, tranquility, and patience. Sound meditations, often incorporating various instruments designed to produce “over-tones”, can achieve inner harmony, equanimity, the breaking of habituated patterns of behaviour and a higher level of self-awareness and consciousness.

Richard Wolf likens deep listening to music and playing a musical instrument to mindfulness – they each require concentration, focus and the ability “to quiet the inner voice”, and result in enhanced “multi-dimensional awareness”. Richard expands on these ideas in his book, In Tune: Music as the Bridge to Mindfulness. He maintains that focusing on the “sonar qualities” of our own breath can enable us to achieve “attunement” of breath and body – or, in other words, resonance.

Mantra meditations, involving musical instruments and the repetition of deeply meaningful phrases, is another form of sound meditation and a way to achieve resonance and a deeper integration of mind, body, and heart. Mantra meditations can generate stillness and joy when we are experiencing turbulence in our lives and release energy and calmness to make a real difference in our lives and those of others.

Reflection

Sound in the form of music, singing, sound meditations or mantra meditations is a readily accessible resource and a way to achieve a deepening resonance in our life. It enables us to attune our body, minds, and hearts and to release productive energy that can help us align our life with our true purpose. As Ginny Whitelaw maintains in her book, we are surrounded by energy and vibration, especially through sound – we just have to tap into it through meditation, our own voice or by playing a musical instrument. As we grow in mindfulness through sound and the various means of attunement, we can experience genuine well-being and the calm and ease of wellness.

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By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group and the resources to support the blog.

Resonance and the Art of Leveraging Energy through Meditation

Yesterday Ginny Whitelaw conducted a global Zoom launch for her new book, Resonate: Zen and the Way of Making a Difference. Ginny contends that resonance is the “lynchpin” between our inner and outer world, it connects inner energy with outer energy. She explained that energy is everywhere, everything is in a state of vibration. If we can achieve integration of mind and body by developing awareness through meditation, we are capable of vibrating with many energies that enable us to create change in our world – personal, inter-personal and social change.

Resonance as alignment and amplification

Resonance involves “vibrating with” – achieving alignment with, and amplification of, energy. Ginny pointed out that resonance is a “fact” – there are measurable, characteristic ways in which vibration occurs when energies come together. For example, she provided an experiential exercise where participants in the Zoom meeting could experience in their body, the vibrations from the music of a large church organ. When the notes were deep, people felt the vibrations in the lower part of their bodies, e.g. in their feet; in contrast, when the notes were high, the vibration was felt higher in the body. She reinforced this experience with a final exercise that involved making sounds such as “oh”, “om” and “ng”, while progressively experiencing the different sounds in the relevant Chakra level of the body, e.g. the deep “oh” sound aligned with the “root chakra”, while the “ng” sound was experienced in the “crown chakra”.

Ginny explained that energy vibrations and rhythms surround us in daily life. The vibrations of sound waves, the movement of a swing, and the differential impact of small and big waves are some of the ways that we can perceive energy and resonance in action. According to Ginny, “energy creates form” and “form shapes energy”, e.g. when the flow of water down a rockface gouges out a clear channel for the water to follow over time. So too, energy perceived through the senses can change our neurons, changing our form within us and shaping our energy output.

Leveraging energy through mindful meditation

Ginny pointed out that through breath meditation, employing deep breathing, we can slow our thoughts and calm our body. The integration of the mind-body connection through different forms of meditation and other mindfulness practices, enables us to develop calm energy which impacts those around us. She views meditation as improving our own resonant instrument, taming the dissipated energy of the ego, fears, and impulses. Meditation heightens our sensitivity and enables us to overcome habituated responses. Our life experiences influence our perceptions and emotions as we become sensitised to negative triggers that evoke difficult emotions that serve to misdirect our focus and energy. Meditation helps us to tame the energy of difficult emotions, and to understand their message and wisdom so that we can redirect their energy and take appropriate action.

During the online launch, Ginny provided a three-step meditation process designed to change the “inner dialogue” and release energy (as if we are overcoming a “cramp” or energy blockage):

Breathe deeply and lengthen your exhale beyond that of the inhale.
Envisage someone in your group or team experiencing difficulty and direct kind thoughts and positive energy towards them.
Focus on something in the room that you love to look at or experience and then “tune into” why you like that particular object. Progressively let your heart expand to take in your whole room or external environment.

Ginny maintains that as our inner reality changes through meditation, our outer experience changes. We become more open to what is around us and better able to use our gifts to help others – achieving greater flow in our lives through alignment with our life purpose. We can more readily tune into the wavelength of others and respond more appropriately and creatively. Our inner energy flow and mind-body alignment shape the way we interact with the world and bring about personal, interpersonal, and social change.

Ginny highlights the need for leaders to develop leadership agility by adopting different energy patterns. She maintains that leadership is about resonance, a skill developed by deep listening to others. Listening, in turn, requires being in the moment, fully present, and consciously attuned to the other person and the source and direction of their energy. This capacity for attunement is developed through meditation and mindfulness practices.

Reflection

The challenge for us is to achieve what Ginny calls “the foundational flip” – the capacity to overcome self-absorption and direct our energy outwards for the good of others. As we grow in mindfulness through meditation and other mindfulness practices, we can become more attuned to the energy that surrounds us, more flexible and adaptable in leading others and more focused and energised to achieve our life purpose and make a positive difference in the lives of others.

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Image by Okan Caliskan from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site, the associated Meetup group and the resources to support the blog.