memoir – Grow Mindfulness

Finding Strength in Vulnerability

Kylie Orr in her novel, The Eleventh Floor, has her lead character, Gracie, comment after experiencing the impact of deceit in a relationship, “I was committed to loving up close, to being open, vulnerable”. While Gracie acknowledged that “there is danger in that”, she was willing to take the risk inherent in vulnerability because “a life held together by lies fell apart so easily”. Being vulnerable exposes us to the possibility of being harmed by someone else emotionally, intellectually or physically – it involves showing our true self with our emotional weaknesses, character faults and physical defects.

Vulnerability, however, is a source of strength. It underpins perseverance and resilience, facilitates sustainable relationships, enriches our contribution to community, and enables the writing of an entertaining and enlightening memoir. To access the strength in vulnerability we have to face up to being vulnerable – we need to name our feelings (e.g., fear of rejection) so that we can tame them.

Perseverance and resilience

Contrary to the Alpha Male depiction of power, dominance and the trappings of success, Lance Alfred (legally deaf NBA player) contends that perseverance and resilience in the face of adversity require a totally different orientation. He maintains that there is real strength in vulnerability – owning up to our feelings, being authentic, having self-awareness and self-intimacy (acknowledging our own thoughts, actions and consequences), forgiving others, moving beyond other people’s expectations to be our true self, accepting our inadequacies and mistakes and overcoming the fear of failure.

When we fear failure we can be trapped by inertia – unable to move forward beyond the current challenge. In her novel The Brightest Star, Gail Tsukiyama describes a time when Chinese-American actress, Anna May Wong, was making her stage debut In The Circle of Chalk and was terrified that her speaking voice and singing were not up to the expected standard (after spending so much time acting in silent movies). The critics were having a field day about her voice but she acknowledged this weakness and “went on the offensive”, hiring a voice coach. Despite the criticisms of the critics, the show had a “successful run”.

Sustainable intimate relationships

We can hide our fear of being vulnerable in a relationship in multiple ways including excessive criticism of the other person, aggression (anger), withdrawal (silent treatment), overcontrolling or projecting our own weaknesses or fears onto the other person. These defence mechanisms only serve to push the other person away, to wound them and disable them. While they provide protection for our ego and self-concept, they create a barrier to a sustainable intimate relationship.

Tara Brach provides a meditation which enables us to explore the ways that we create separation or distance in a relationship by resorting to defence mechanisms to ward off vulnerability. In the meditation, we are asked how we are impacting our relationships(s) by avoiding vulnerability. The challenging questions relate to self-protection, projection, judging, withholding, distrusting or engaging in “superior conceit”. Tara points out the power of being vulnerable (overcoming our natural defence mechanisms) in terms of building closeness and sustainable relationships.

Enriching our contribution to community

Tara tells a number of stories where being vulnerable led to someone else finding strength to manage a disturbing or embarrassing circumstance. One of the features of the Creative Meetups hosted by The Health Story Collaborative is the vulnerability shared by participants in the monthly, online meetings. Participants are people experiencing chronic illness or disability or are in a caring role. They willingly share their pain, difficulties in coping, inability to think clearly, physical weaknesses, anxiety or depression or lack of energy.

The level of openness and trust enables individuals to express their vulnerability without fear of being taken advantage of, or being consciously harmed by anyone else present. Vulnerability, enhanced by the culture of sharing and collaboration, builds closeness and healing. There is the implicit recognition that being vulnerable is integral to the human condition.

Developing a memorable memoir

In the Art of Memoir, Mary Karr, stresses the need for authenticity – revealing our real self, not the projected self or the deemed “virtuous self”. She highlights the importance of being vulnerable rather than self-protective. She sees the memoir as a personal unfolding that is sometimes painful – an honest exploration of our “inner landscape”, not just a recording of external events. Mary suggests that as we are developing our draft memoir with recalled stories “what burbles up onto the page is what is exclusively yours, both as a writer and a human being”. She maintains that we have to trust the power of truth enough to “keep unveiling yourself”, despite the shame in the revelations, and, in the process, the memoir will structure itself and you will show up ”warts and all” – leaving a memorable impression that highlights your contribution to relationships and community.

Reflection

Being vulnerable is difficult as self-protection is our natural fall-back position. As we grow in mindfulness through writing, reflection and meditation, we can begin to draw back the veil that hides our imperfections and inadequacies. With the inherent growth in self-awareness and self-intimacy, we can become more real and more invested in telling the truth about ourselves. This is a progressive inner journey – a slow unveiling of our true inner self. By letting go of shame and expectations (our own and that of others), we can develop authentic connections, friendships and intimate relationships.

I wrote the following poem as a reflection on the negative impact of defensiveness on relationships and the power of vulnerability to create intimacy by removing our constructed barriers.

Sustaining a Relationship

Deceit destroys a relationship.
Closeness is beyond us, as we retreat behind the wall.
Facing up to who we are can be painful.

Without vulnerability, our relationships are shallow.
We hide behind our self-projected mask.
We engage our defence mechanisms.
We fence off our inner landscape.

Sustainability lies in vulnerability.
Openness to ourselves and others.
No longer the frightened child.
Now exposed to risk and reward.
Intimacy is in our hands, if we reveal who we truly are.

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Image by John Hain from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

Fearlessly Sharing Your Story: Jelena Dokic’s Exhortation

Jelena Dokic shared her story of paternal abuse in the second of her memoirs, Fearless: Finding the Power to Thrive. Her no holds barred account is disarmingly honest but replete with positivity and gratitude.

Jelena indicated that she first gave a glimpse of her family situation in an interview with journalist Jessica Halloran, who subsequently co-authored her two memoirs. The first memoir, Unbreakable, told of her challenges as a refugee from Yugoslavia, her life of poverty and the brutality of her father, Damir Dokic.

The first physical abuse she suffered at the hands of her father was when she was six years old. He slapped her hard in the face three times because she had laughed and joked with her tennis coach. In Damir’s view, tennis was not for enjoyment but sheer hard work that had to be taken seriously. Beyond that first abuse, she suffered continuous beatings as a teenager, especially when she lost a game. Jelena often played with bruises all over her body. On one occasion he beat her unconscious with a shoe.

Jelena highlighted in her memoirs the fear and physical suffering she experienced at the hands of her father. She explained in detail how his behaviour diminished her self-esteem and intensified her sense of shame. Despite her trauma from this physical abuse, Jelena became one of the greatest Australian female tennis players, reaching the rank of number 4 in the world in singles. She was noted for her nerve and fearlessness on court and her ability to fight back when behind in a match – a resilience born of combating her trauma.

The power of storytelling

Jelena discussed her personal battle with shame when trying to share her story. From the interview with Jessica to her Fearless memoir, she had progressively revealed more about her life and personal challenges. In the process she has become a very strong advocate for the healing power of storytelling. Jelena indicated that not only was she able to heal from her trauma through storytelling but she found that other people drew inspiration and healing from her personal battles and her capacity to rise above them.

Jelena used her memoirs to tell her story with increasing levels of disclosure. She found too that her book tours and public presentations enabled her to share more about her life and how she dealt with her trauma, which often left her feeling helpless, anxious, depressed and exhausted.

Jelena has continued to do public presentations to share her story and the positive value of her storytelling has been reinforced by the number of people who have expressed gratitude for her talks. She strongly advocates for people to share their stories of sexual abuse and domestic violence.

In Fearless, Jelena has a section on the “the power of story” and reinforces the positive changes that can accrue from narrative therapy (offered by her psychologist). She states that through storytelling she moved from a victim mindset to “survivor”. Her story suggests that she became a “victor”. Jelena continuously encourages people experiencing trauma to speak up:

I have said it many times in this book speaking up creates change, saves lives.

The healing effects of social support

In a section on “having the right people around you”, Jelena highlighted the importance of supportive people (social support) for the process of healing from trauma. Her earliest positive experience was being coached by Australian tennis great, Lesley Bowrey, who she described as a “no-nonsense, fair, tough coach with the warmest heart”. Jelena appreciated Lesley’s strong work ethic, a shared trait that was a source of mutual admiration.

Lesley showed kindness and an unshakeable belief in Jelena which became a profound source of happiness for her. While Lesley was her coach, she won the Junior US Open, reached World Number 1 Junior and won the Hoffman Cup with Mark Philippoussis

Jelena waxes lyrical about the unconditional support provided by Tod Woodbridge in her transition from tennis retirement to commentator. He had encouraged her to write the Unbreakable memoir and mentored her “tirelessly” about the process of commentating tennis matches.

Jelena also mentioned the very positive influence of her psychologist who helped her explore the impact of her trauma on her thoughts and behaviour and to challenge false beliefs about herself. Her psychologist supported her to progressively make changes in her life to initiate and sustain the healing process.

Reflection

The physical abuse Jelena experienced was demoralising and exhausting. Jelena showed tremendous courage to share her story, seek social support, work with a therapist and eventually overcome her fears and loss of self-esteem. She is now very much a role model for dealing with trauma and an encouragement to many people worldwide.

As we grow in mindfulness through our own efforts to increase our awareness of the impact of significant events in our life, we can develop deeper personal insight and the courage to take the actions necessary to achieve personal healing.

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Image by brian teh from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

Healing Collective Trauma

Thomas Hübl. intergenerational trauma expert, recently convened the Collective Trauma Summit 2023, designed to share ideas and healing processes “to inspire action to heal individual, ancestral and collective trauma”. The Summit was conducted online from 26 September to October 4 and was attended by 100,00 people which reinforces how pervasive trauma is within the global community. One of the goals of the Summit was to “create a global healing movement”. Thomas is the author of Healing Collective Trauma: A Process for Integrating Our Intergenerational and Cultural Wounds.

Thomas and his colleagues have been conducting these trauma conferences for the past five years to raise awareness of intergenerational trauma and its impacts on individuals and communities. Intergenerational trauma is a form of genetic inheritance of trauma experienced by descendants (typically children and grandchildren) of people who have survived catastrophic traumatic events. The inherited trauma can be reflected in hypervigilance and a wide range of physical and psychological responses to triggers associated with the original trauma experienced by ancestors. While the person experiencing intergenerational trauma does not experience “flashbacks”, as they were not present during the initiating traumatic event, they can experience maladaptive behaviour as a result of the transmission of trauma and trauma responses by their ancestors.

When we speak of intergenerational trauma we often think of survivors of the Holocaust or the devastation of Hiroshima. However, there are many sources of intergenerational trauma such as genocide of Native Americans and Aboriginals, institutional or familial child abuse and or neglect, domestic violence, war, colonisation, civil wars creating refugees, chronic illnesses/diseases (such as zoonotic diseases) and natural disasters (e.g., floods, wildfires, earthquakes, droughts and cyclones/hurricanes).

Developing awareness of collective trauma

Part of the focus of the Summit was to raise awareness of the “collective trauma” that resides in the global community as a result of the multiplicity of traumatic events in our world. It means that individuals and communities are not only coping with the challenges of day-to-day living in our fast-paced world but having to deal with the residual effects of inherited trauma – the “scar tissue of collective trauma”. One of the days of the Summit was thus devoted to “global social witnessing of world-wide uncertainty”.

Robin Alfred, in his usual articulate manner, maintained that awareness of the genetic transfer of trauma can help to reverse the ill-effects of collective trauma. He suggested that developing resonance by listening can enable people to heal through expressing themselves – getting the inside outside and achieving congruence in their lives. Robin contended that trauma clouds our minds so that we see ourself as a micro ecosystem, rather than as part of a global, social ecosystem. The way forward for him is for individuals and communities to plug into the massive, self-healing biosphere. He saw “relational resonance” creating a global healing environment as people around the world became aware of “systemic/intergenerational trauma” and explored their interconnectedness for healing. One of his own awareness practices involves exploring the lives and world of people he does not know, e.g., speaking to undercover police about their psychological distress, isolation and identity crisis. He epitomises the “not-knowing” mindset in pursuing understanding of people who hitherto he “has put far away” from himself.

Healing from the effects of collective trauma

Trauma can have multiple effects on a person’s life and relationships. During the Summit people told stories of their isolation and sense of aloneness, their fear and terror, their anxiety and depression and their disempowerment. One person described her experience of trauma as ”falling into a sinkhole”. People participating in the Summit were courageous and vulnerable in sharing their trauma and how it was playing out for them in their individual lives. Thomas reiterated the healing power of storytelling, especially with the support of a community of people “feeling with you and suffering also”.

Throughout the Summit, presenters and participants shared multiple healing modalities that they have employed to overcome the effects of trauma and intergenerational trauma. These modalities included:

Ceremony
Ritual
Calling in spirits
Dance
Joyful movement
Somatic Experiencing
Experiences of connection

Special attention was given to the arts such as music, poetry, literature, and paintings. Laura Calderon de la Barca, psychotherapist specialising in collective trauma, reinforced the power of art (e.g., poetry) to enable people to share experiences that are extremely stressful. In her view, art creates “an unfolding of space that needs to happen” to enable “ex-pression” (moving the inside to outside). The sharing, in whatever form it takes, creates movement towards healing. Laura noted that writing enabled her to bring order into her own life. She maintained that when people get engaged with the issue of collective trauma, compassionate action is created. She encouraged us to connect much more deeply with nature and embrace our own vulnerability through movement and dance.

Throughout the Summit, Kim Rosen read aloud poetry that spoke to the healing process, including The Song of the Man Who has Come Through by D.H. Lawrence. She also read a number of poems for Summit participants with the music of Jamie Sieber, electronic and acoustic cellist, playing in the background. Kim is the author of the book, Saved by A Poem: The Transformative Power of Words.

The way forward for healing collective trauma

Thomas stressed the desire for “global social witnessing”, and the Summit was one form of this solution. He emphasised the need for a global movement, a form of collective endeavour, that can work towards “healing the trauma between us”. He stressed the importance of melting the permafrost of trauma by enabling traumatised people to release their feelings, building connection through data sharing and facilitating interconnectedness through growing awareness of the community of people experiencing intergenerational and cultural trauma.

Thomas spoke of our horizontal as well as our vertical responsibility. Horizontally, our responsibility involves moving beyond our “hyper-individualised world” to respond to the pain and experience of others. Vertically, it entails developing awareness of our ancestors and indigenous populations and their collective trauma, as well as consciousness of younger generations and their collective anxiety. He particularly focused on the “fragmentation” of identities and communities caused by trauma and encouraged us “to refine and deepen our capacity to relate” because it is in alive relationships that we find the energy to create, new enabling structures “that are much better for the present point of evolution”.

He encouraged us to find “different ways to experience nature and each other” so that we can develop a more integrated “healing infrastructure” for collective trauma. He suggested that we can better tap into the “self-healing” mechanism of the body through connecting with each other and sharing our stories, power and resources. Storytelling is not only healing for the storyteller but also the listener.

Ruby Mendenhall shared her insights from the Summit and highlighted the motivation and inspiration that the experience provided. She especially noted how sharing in community can heal trauma and loneliness. Ruby argued that we have to become more aware of the cost and impact of unprocessed grief, especially that flowing from adverse childhood experiences. She maintained that a lot of people feel threatened around “gender norms or race” and that we need to take up the solutions that are already present to us but somewhat underdeveloped, such as somatic healing. Ruby stressed the urgency of educating children about adverse childhood experiences, the impact on the body and relationships and the ways to develop resilience with the aid of community. Ruby’s vision for black women who have experienced violence in their community is enunciated in her TEDx Talk, DREAMING and Designing Spaces of Hope in a “Hidden America”, where the mnemonic, DREAM, stands for Developing Responses to Poverty through Education And Meaning.

Reflection

I was particularly impressed with the emphasis on storytelling as a healing modality and the power of writing to facilitate healing. I am currently researching my own memoir that I plan to write as one way to process some of the traumatic events I have experienced in my lifetime – death of a baby brother, 18 months in an orphanage, my father as a prisoner-of-war in Changi prison for three years and absent for the first six years of my life, a serious car accident in the family car at age 12, my father suffering PTSD and becoming an aggressive alcoholic, and my divorce at age 37.

In the past, I have been able to process much of my trauma through living in a supportive community and growing in mindfulness through meditation, prayer and the practice of silence. I found too, that sport and especially playing tennis helped me to deal with tension and anxiety and to focus more on the present moment.

I realised through the Summit that I have had the tendency to individualise the trauma that I have experienced as a result of the traumatic events in my life. The Summit has made me more aware of the collective nature of trauma, especially intergenerational trauma. I am becoming more aware that I am part of the community of adult children of alcoholic parents; the community of children whose father went to war and was imprisoned and experienced physical and psychological injury; the community of children who experienced institutional neglect; the community of people who lost a sibling while growing up; and the community of people who experienced a missing parent in their early childhood. This realisation of different trauma-related communities that I am a part of reinforces for me the concept of “collective trauma”.

I have found it useful to connect with a community of people who share my current issue of chronic injury and who are able to openly share their experience of pain and recovery mechanisms. This community, the Health Story Collaborative, provides story sharing opportunities and mutual support for people experiencing chronic pain, disability or illness. It reinforces the Summit’s encouragement for mutual sharing in a supportive environment – becoming a microcosm of the global healing movement addressing collective trauma. The fundamental message is that we are not alone when experiencing trauma and its negative impacts on our quality of life and relationships. Together, we can muster the energy and creativity to access individual and global healing.

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Image by Big_Heart from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.

A Mindful Approach to Memoir Writing

Hay House Publishing recently provided a Book Writer’s Bootcamp which was held over 4 days with two hour Zoom sessions each day conducted by Reid Tracy CEO and Kelly Notaras (a 20 year veteran of the publishing industry – including a role as VP and Editorial Director for Sounds True which specialises in spirituality publishing). Reid and Kelly covered a wide range of topics associated with book writing including identifying your audience, deciding the genre of your book, the “hook” for your book, basic research, developing an outline, the roles of editors, deciding your perspective (first, second or third person or a combination) and getting published.

Both Reid and Kelly make the point that once you get started as a writer, you never know where your writing will take you. Kelly is a very experienced editor and she eventually started her own business, KN Literary Arts, where she offers book coaching, writing support, editing and assisted self-publishing. Through her website and YouTube channel, she offers free, ongoing advice and encouragement for authors. Kelly is also the author of The Book You Were Born to Write: Everything You Need to (Finally) Get Your Wisdom onto the Page and into the World.

Adopting a mindful approach to writing your memoir

Memoir writing requires mindfulness – being conscious of what you are doing in the moment and why you are doing it. It entails dealing with your thoughts and feelings as they occur (rather than pushing them aside). You have to be mindful of your audience, understand their needs and distil the wisdom of your life for their benefit. Throughout, you need to be patient, be prepared to be immersed in your focus and allow time for the book to germinate (after developing fertile ground through mindfulness). Writing will demand openness to the lessons learned in your life and in the act of reflecting and writing. Below are some things you can do to develop a mindful approach to writing your memoir.

Dealing with your own negative messaging: Seth Godin, multi-award bestseller and expert marketer, reminds us that you have to quiet your lizard brain when attempting something new. You naturally tend (through fear) to identify all the objections and potential problems. You might think that “I am not good enough”, “I am going over old ground” or that “I am not good at writing”. Mindfulness practices can help us overcome negative thinking and remove this barrier to progress. Reid and Kelly remind you that no one has had your unique life experiences or been in your position to experiment with your insights or ideas. You can bring your own “mindset and methodology” to existing knowledge areas (such as raising children, handling grief, overcoming setbacks). In relation to writing skill, one of my Professors always said that to learn to write, you need to “write, write, write!” Writing begets writing skill and I have seen this in children in primary school – by beginning with something that is achievable in the first instance and then progressively expanding their capacity. In the early days (2016) of this particular blog with its special focus on mindfulness, I was struggling to write 300-word posts; now, after more than 700 posts, I have trouble restricting my writing to around 1,000 words (my desired length).

Identify your audience: It takes discipline and considerable thinking time to understand who specifically you are writing for. Kelly reminds us that writing a memoir is “80% thinking time” and the rest actually writing and doing related tasks. The more specific you can make your audience (even just focusing on someone you know or a particular small group you have had experiences with), the easier it will be to decide what to include or exclude. If you try to write “for everybody”, you will tend to ramble and this has no appeal for, or traction with, the reader. Kelly maintains that “the more niche, the greater the success” – the more you can target your message to a specific audience “who needs what you have to share”, the more likely you are to be successful.

Know your genre: According to Kelly and Reid, memoirs tend to fall into three categories – (1) Narrative Memoir, (2) Prescriptive Non-Fiction or (3) Teaching Memoir. A narrative memoir focuses on a particular period of your life (a story) and a related theme; prescriptive non-fiction focuses on “how-to-do” something, for example, writing, meditation, cooking or managing time; and the teaching memoir melds storytelling with “lessons” (e.g. through exercises or guides). Kelly helps you to delineate these different genres by providing a free download to subscribers in the form of Three Classic Book Outlines – outlines that cover each of the three types of memoirs mentioned above. An outline is critical for structuring your writing and determining your outline is typically an iterative process as you begin to write and understand your audience and your theme/focus. Kelly also talks about the differences between memoirs and autobiographies in one of her many YouTube videos.

Check whether your book has resonance with your audience: Both Hay House and KN Literary Arts focus on transformational non-fiction – this is where someone who has experienced some form of “transformation” wants to share their acquired insights and wisdom by writing a self-help book, an inspirational memoir, or focusing their book on personal growth or spiritual development. In one of her videos, Kelly provides the Three Keys for effectively undertaking transformational non-fiction. Besides focusing on your own wisdom (not that of someone else you admire), Kelly encourages you to take the time necessary to distil your wisdom from your own experience and to identify what will have resonance with your audience. She suggests “teaching before you write your book” is a good way to undertake what she calls “resonance and development” – through research, identifying more completely what your audience needs. Kelly argues that “books tend to germinate slowly” and will develop according to their own schedule, not yours. She maintains that you need to take the time necessary to build greater resonance with your audience and to develop the insight to discern the connections amongst seemingly discrete events/experiences. Too often, intending writers have failed to achieve the necessary immersion in their topic/theme to achieve the required level of clarity to facilitate effective writing. Lack of immersion will be reflected in “poor digestion” of the issues/problems being addressed and leave the reader confused and uncertain and unwilling to recommend your book.

Overcoming writer’s block: There are numerous suggestions on the Internet for overcoming writer’s block. Some people encourage mindful walking to clear your mind and develop self-awareness. Other suggestions include journalling (and naming your feelings about writing), speed writing or writing poetry. Nancy Levin, author of Writing for My Life…Reclaiming the Lost Pieces of Me: A Poetic Journey, offers insights into how to explore your own vulnerability and connect with others through poetry. Reading memoirs of others can also act as a stimulus to free up your thinking and writing (Kelly and Reid suggest that this reading research is a necessary component for effective memoir writing anyway).

Consciously overcoming the tendency to perfectionism: Both Reid and Kelly maintain that you should write your first draft of your book before you begin editing. This avoids the tendency to perfectionism – a tendency that can create a severe blockage in your writing. If you don’t hold off editing until you finish your first draft, you can end up in a process of continuous writing and rewriting without achieving any substantial progress on your manuscript. The same principle applies to your efforts to write a hook for your memoir or an initial outline. Start with a tentative hook and outline and refine them as you go – you will gain greater clarity for both as your write.

Reflection

What is very clear from the Hay House Bootcamp and related writing and videos is that in writing a memoir you are processing yourself as well as providing a resource for others. As Kelly points out, your book itself can actually be a milestone in your own learning (or spiritual) journey. Elsewhere, I have written about the Healing Power of Storytelling. Creating a reflective blog can also help you to discover your inner author and develop the mindfulness necessary to produce a successful memoir.

In participating in the Bootcamp, I became aware of a number of options that I have for advancing my own writing. One is a teaching memoir based on my varied life experiences as a contemplative monk, academic, consultant, manager, father and writer. The other is a form of prescriptive non-fiction focused on my action learning experiences. With the former, the teaching memoir, I need to do considerably more research to fill in the gaps in my life history and decide a particular focus or theme to write about (I view this as an iterative process). The prescriptive non-fiction option is something that I can start immediately because I have already completed the requisite “resonance and development” having conducted numerous workshops with my audience over more than a decade, undertaken PhD studies in the area, conducted participative presentations, written book chapters and articles on the topic and used this blog as a form of reflective journal. Reid and Kelly maintain that these kinds of activities along with the use of social media provide a “platform” for your book launch.

As I grow in mindfulness by adopting different mindfulness practices, I look forward to gaining greater self-awareness, consolidating my message (in both genres) and developing my concentration and writing processes. At the moment, I am exploring self-publishing options through the resources and guidance provided by Kelly’s KN Literary Arts and Balboa Press (a division of Hay House).

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Image by Anna from Pixabay

By Ron Passfield – Copyright (Creative Commons license, Attribution–Non Commercial–No Derivatives)

Disclosure: If you purchase a product through this site, I may earn a commission which will help to pay for the site and the resources to support the blog.